Canary Records are the kings of shellac-era reissues, and this is one of their most fabulous. It’s a collection of female singers who were active in Turkey’s cultural capital, and Ian Nagoski, musicologist and venerable head of the company, has made these recordings sound as clear as possible, despite being around 90 years old. Yet another stunning peek into the past.
Although there are some phenomenal classical musicians represented on Bandcamp, I didn’t expect to hear any work by the Counter-Reformation-era priest and composer Tomás Luis de Victoria. This cassette tape, released by The Striking Chamber, came as a pleasant surprise. It’s only 13 minutes long, and it’s released here as one solitary, slightly over-compressed track, but the organ sounds clear, and I want to encourage more performers of Renaissance music to come out and share their wares.
Today is a terrible day, as we’re reeling over the loss of Cabaret Voltaire multi-instrumentalist, composer and producer Richard H. Kirk. He was 65 years old. The Cabs were one of the most influential bands of their era, whose work would have serve as inspiration to genres such as Industrial, post-punk, EBM, avant-funk, electro, acid house and techno. The album we share today was the first one by Cabaret Voltaire, with Richard doing the album solo, in 26 years. It’s as bleak as the old material, though better recorded, and it sounds like a culmination of those early, gritty experimental recordings, that funky drum machine…
The Doubling Riders were one of those bands that came out of 1980s Italy who were criminally neglected. It’s great to see this published digitally. This reissue came out today, and it was considered a big score in my collection when I had the vinyl version. From the Bandcamp site: The Doubling Riders were born in the middle of the ’80s from the ashes of the great experimental / minimal wave project A.T.R.O.X. around the trio of Francesco Paladino, Pier Luigi Andreoni, and Riccardo Sinigaglia (Professor of Electronic composition at Milan’s Conservatory). Starting from an electronic music approach and working…
We have to wait eight more days to hear the complete work, but given the two tracks Maryam Sirvan has made available, this will be worth the wait. There were two artists which came to mind while listening to the tracks over and over – Tim Buckley at his most experimental, and ‘Dogs Blood Rising‘-era Current 93. This should be seen as an electroacoustic album, and would compare very favorably to those artists like Bernard Parmegiani who could depict a hellish landscape in what some wrongly think is an academic medium. This album is truly that weird, and it sounds…
Gideon Plays is apparently seen as a holy grail of South African jazz collectors. Judging by the performance of pianist and maribist Gideon Nxumalo, this should be seen for what it is – a spiritual jazz masterpiece. The album swings and grinds through eight tracks of bopping good music. Matsuli Music continues to reissue some astoundingly good music.
Ángel Ontalva is a welcome site on this blog, and he has a new release to share with us. He continually surprises us by mixing a Rock-In-Opposition sound (think Samla Mammas Manna) and jazz-rock (maybe a touch of National Health). It’s unique, taking cues, of course, from some of his influences, but with guitar playing that sets it apart from other proggers. Another solid release by Ángel.
Sophia Shen and Lemon Guo work together as Southeast of Rain (东南有雨), an electroacoustic/field recording project based in the United States, with one living in New York and the other living in the San Francisco Bay area. The album is the result of 42 days of mixing avant-garde experimental music, natural sounds, traditional Chinese instruments and improvisational techniques and sublime vocal work into a gentle, though very experimental album. I request this of everyone, but specifically of my former students in Beijing – take the time to listen to this. It is a stunningly beautiful piece of work.
High Pulp hail from Seattle, Washington and are currently being published by Anti- Records, best known for releasing albums by Tom Waits, Neko Case and Antibalas. This sounds like none of them, and it caught my attention in a most pleasant way. Motel Money is a single track, and it’s a burner. This is an instrumental track, and it mixes in everything from avant-garde jazz to beat-driven R&B to psychedelic synthesizer-heavy electronica, as their release page indicates. Add to this the stellar trumpet playing by Takuya Kuroda, and you have something that can equal any of the nu jazz bands…
Euphemia Rise is a rather remarkable project run by Wim Lankriet. Born a Cow is Wim’s debut album, and it’s quite a fine work, combining an acidic psychedelic music which reminds me of Syd Barrett in parts while maintaining a 1980’s-1990’s gothic feel. Lyrically, it is a heavy album covering such topics as. “being (sexually) different and facing people’s judgments – but also venture into darker subjects such as drug prostitution, sadomasochism, rape…” Wim notes, and I would strongly agree, that the tone is never negative. I’m not sure this music put a smile on my face, but it left…