FRKTL is the nom de plume of British-Egyptian composer Sarah Badr, and her work straddles so many genres that it’s quite hard to describe accurately (a wonderful thing, as it means her work is incredibly fresh-sounding). There are, of course, long, drone-y elements to the music, but once you go Continue Reading
United Kingdom
Dragon & Jettenbach – Tales from the Algorithm
This is so pleasantly dark and focused that I don’t think calling it ambient would do it justice. Dragon & Jettenbach are a project out of the United Kingdom who produce a sound that, while bleak, is also musically organized, reminding me of some of the modern Berlin School electronic Continue Reading
Chris Conway – When Pianos Dream
Though his bio on Bandcamp calls him a superlative jazz pianist, I would have to add that Chris Conway handles modern classical music with as much aplomb. He has also worked with some stellar musicians, including Guy Barker, Andy Sheppard, Stan Sulzman, Martin Speake and the legendary Finnish sax player Continue Reading
Various Artists – Tape Rolling! with Bunny Lee and Friends
England’s Pressure Sounds continue to release mind-blowingly good reggae compilations. This one features the production work of Bunny Lee pairing up with such luminaries as Eric Donaldson (whose raw version of Cherry Oh Baby adds grit to the warmly produced original. From the Bandcamp release website: “In 1971, despite his Continue Reading
The York Waits & Deborah Catterall – Christmas Musicke
The York Waits are a group out of York, England (no surprise there, right?), who specialize in Renaissance music from the 14th Century. This album is a reissue of a 1996 album where they paired with vocalist Deborah Catterall, who, 25 years after the release of this disc, served as Continue Reading
The Scorpios – Let’s Go
The Scorpios are a Sudanese/British Afrobeat band with an incredible pedigree. Regia Ishag, the band’s singer, is the daughter of the guitarist of one of Sudan’s funkiest bands, The Scorpions (obviously not the German hard-rock band bearing the same name). This new generation band maintains the funkiness of their forefathers Continue Reading
Rosie Turton – Expansions and Transformations: Part I & II
Rosie Turton came to my attention a while ago with her EP Rosie’s 5ive, which served as a stellar introduction to her work, but this latest album shows how incredibly expressive a trombone-led band can be. So many players in London’s Nu-Jazz scene are leaving a mark that there will Continue Reading
D^mselfly – DF/C30-RW
From Hreám Recordings‘ website: Originally released as a double-header with St James Infirmary’s ‘Apport’, here now on it’s own and sporting a batch of new jelly-green shelled and cased cassettes…. DF/C30-RW features six re-imagined and re-worked tracks from the first three Damselfly albums. Focussing on some of his more delicate Continue Reading
Various Artists – Wounds of Love: Khmer Oldies, Vol. 2
Death Is Not The End is a profoundly interesting record label (and radio program on NTS) operating out of London, and how they find such oddball gems like this I’ll never understand. What is clear, though, is that the Khmer music scene really got into music from France (from colonial Continue Reading
Flora Yin-Wong – Holy Palm
After coming across an interview over at The Quietus with the London based composer Flora Yin-Wong, I wasn’t quite sure of what to make of her work. The new album they discussed, Holy Palm sounded fascinating, less so by the interviewer’s rather tepid questions but more so by the evocative Continue Reading