This is one of those unsolicited posts that make blogging a pleasure. now|here are a dark ambient/post-Industrial music project out of Italy whose work reminds me, in a very positive way, of acts which used to appear on Sweden’s Cold Meat Industry imprint. The sounds here are cleaner, doomier, and loaded with a synthetic classical underpinning I like. Perhaps I can say that this is a better-produced dungeon synth. Enjoyable.
FRKTL is the nom de plume of British-Egyptian composer Sarah Badr, and her work straddles so many genres that it’s quite hard to describe accurately (a wonderful thing, as it means her work is incredibly fresh-sounding). There are, of course, long, drone-y elements to the music, but once you go into tracks 3 and 4 (Hverfa af himni heiðar stjörnur and Hart er með hölðum, respectively, you start hearing elements of techno (!), bleak synthetic choruses sounding like the angels reciting the liturgy over the bowels of Hades (or, in this case, Hel, in order to maintain a proper cosmology). …
Assembly Of Honey are a magnificent Russian ambient drone project related to the magazine Meticulous Midgets, friends of our blog. Their latest album has several tracks which would appeal to meditative musicians like Steve Roach, but also to New Age artists like Kitaro and even experimental bands like Britain’s O Yuki Conjugate. There is a calming aspect to the music that, frankly, I needed to hear after a stressful Valentine’s Day. Well done, as always.
One of the most remarkable things about the series of compilations released by our friends at Unexplained Sounds Group is the great number of new artists they come into contact with, and serve as a launching board for. Of all the artists on this compilation, only Ryo Murakami’s work rings a bell. Masayuku Imanishi’s work sounds like a newsroom printing press staffed by Throbbing Gristle and Hélène Sage. USG continue to release the finest in post-Industrial music.
Perhaps I’ll need to renew my subscription to The Wire or spend more time on other blogs, as I can’t believe I missed the work of Los Angelina Geneva Skeen. My hometown is producing so many fine artists working within ambient and electroacoustic music that it has become (happily) difficult to keep up with this wellspring of talent. Double Bind defies proper categorization, sitting somewhere between academic musique-concrète, noise-style improvisation and a touch of mysticism in Skeen’s work. Though bleak, there is a feeling of being inside of a warm, pulsating, silvery ocean in these compositions. The one which won…
Zoharum are one of Poland’s longest-lasting experimental, ambient, minimal and industrial/dub/illbient labels. On January 30, they released a comp of musicians who are critical in Poland’s underground music scene. Among familiar names, of course, are Jeff Gburek, Hubert Heathertoes and Mike Majkowski, but the new names I’m hearing on this release are equally as intriguing. Zoharum have done sterling work documenting the current goings-on of their local scene.
Though his bio on Bandcamp calls him a superlative jazz pianist, I would have to add that Chris Conway handles modern classical music with as much aplomb. He has also worked with some stellar musicians, including Guy Barker, Andy Sheppard, Stan Sulzman, Martin Speake and the legendary Finnish sax player Sakari Kukko (leader of Piirpauke) amongst others. This album, released today, I believe, is a collection of improvisations and ambient electronic music he gathered while working with the United Isolation Ensemble, of which he is a member. How ECM Records hasn’t signed such a prodigious talent is beyond me, but…
Our dear friends at Lost Tribe Sound start the year with two powerful releases, though I’ll concentrate on one today (with the other in the next week or so). This one is by Belgian composer ‘t Geruis (a rather unusual name, which, in Dutch, means “The Noise” or “The Murmur“). The album, at least the four rather remarkable tracks available to hear, have a grainy, organic quality to the loops which build and collapse in a still-life manner. The music has more in common with graphic art or experimental film than it does with cold, staid experimental music. Quite an…
From July of 2021 we have a release from the French ambient project Esmez. The gentle, dulcet sounds of each of these four tracks have made for very pleasant Sunday listening, and would really appeal to fans of Brian Eno’s earlier ambient works. For Esmez’s motivations on making the album, consider visiting their Bandcamp site.
Iceland is one of those countries who seem to produce musicians at an incredible rate in comparison to the size of its population. Atli Örvarsson is one of a handful of gifted soundtrack composers to hail from the island nation, and is the first one I can think of who doesn’t originally come from the capital, Reykjavik. He is now a Los Angelino pursuing a career in composition, and is becoming well-known for his scores. The standout track for me on this album is one titled Anka & Robert, which reminds me of a meaty slab of post-Industrial ambient. The…