Pseudonym Records of of London, UK, publish hard and aggressive drum & bass, giving a nostalgic vibe for the genre’s heydey of the 1990s. Jurango and Glances offer up two utterly menacing tracks each.
This release from our friends at Antonovka Records features three players of the jouhikko, a local stringed instrument: Santeri (Alexander) Dobrynin and Olga Plekhanova from Karelia and Russian Egor Masaltsev, who moved to the region. There are 22 tracks of charming interplay […]
VIRUS2020 are a wonderfully freakish project out of Tunisia which manages to bring together soundtrack music, post-Industrial references and post-rock into a thoroughly weird and engaging stew. This is a fun headphone listen.
The ever-fantastic Wewantsounds is giving the gold-star treatment to Akiko Yano, wife of the recently departed Ryuichi Sakamoto and fine musician in her own right, collaborating with Haruomi Hosono, Yukihiro Takahashi, David Sylvian, Mick Karn, Charlie Haden, Bill Frisell, Thomas Dolby, and […]
Kuzman Markoski has produced a rather fine EP’s worth of soundtrack-style music. The composer, thereminist and sound designer offers a groove-filled, damn-near danceable disc. From his Bandcamp site: “Kuzman is a versatile musician and audio-visual artist based in Skopje, Macedonia. With a […]
This is a curious release. Abandoned Toys manages to balance ethereal ambient music with symphonic progressive rock. A rather brilliant balance, indeed.
Spain’s Munster Records has a legendary reputation for putting out some amazing garage rock albums, including a lot of prime reissues. This compilation covers some lost gems from the Venezuelan Discos MAG for your enjoyment.
William Ryan Fritch’s lastest disc is the, “second in a three-part series reflecting on the many calamitous water crises affecting life on this planet.” Cohesion is a bit darker than the previous album, Polarity, but there is a more organic feel to […]
Italian progressive rock legend Arturo Stalteri presents a brand new album filled with interpretations of works by Frederic Chopin, Franz Liszt, Richard Wagner, Sigur Rós and, surprisingly, King Crimson’s In The Court of the Crimson King done in sublime fashion.
It’s a brutal question to ask, especially for my friends who publish non-commercial music. Venus Theory gives us a rather poignant reason to keep making music even if the Universe conspires against you.