We have quite a treat tonight. The Lamplight Club was a six-piece band out of Essex, England who produce a sound that fits comfortably between 60’s garage-psych, gothic folk and touched with a noir country tinge to it. You can stream their songs via Spotify here. If there are more Continue Reading
Folk
Clara Engel – A New Skin
Clara Engel is based in Toronto, Canada. Her work has been described as “Folk-Noir” or “minimalist holy blues,” and who am I to disagree? This takes the best elements of neofolk, stripped-down to just voice, cigar box guitar, electric guitar, melodica and harmonica, and it sounds like a rare self-pressed Continue Reading
Jake Xerxes Fussell – Hills Of Mexico
Xerxes is not a name one comes across regularly in English, so when I saw James Xerxes Fusssell’s name pop up on my dashboard, I thought I’d give his music a listen. I’m glad I did. This is a one-track release of blues-tinged music sung in a peculiar manner that Continue Reading
Roberta Flack – The First Time Ever I Saw Your Face
While I don’t celebrate Valentine’s Day too seriously (traveling and lack of a suitable mate at this time will do that), and adding that Eastern Orthodox don’t celebrate the venerable Saint’s day until July 30, I do want to wish my friends and the kind readers who show up here Continue Reading
Vedan Kolod – Gorodische
Vedan Kolod are a troupe based in Moscow, Russia, who do sterling work interpreting medieval Russian folkloric music, especially Siberian tunes, with a modern twist. The label, CPL, is run by my friend and colleague, Christian Pliefke, whose taste in artists is impeccable, and every release he’s curated for his Continue Reading
Tom Carter – Beautiful Saviour
Tom Carter was the guitarist of improvisers Charalambides, one of the heirs of fine Texas psychedelia. His new album, Beautiful Savior, comes as a pleasant, hopeful respite after being inundated by moronic ‘devil’-related titles. Is this an acid-Christian album? Who knows? The tones from this album speak for themselves. The Continue Reading