I’ll be taking a day off for health reasons, but I thought I would leave you this pleasant Sunday with some music of the Lepcha people of India (also represented in Nepal). The band, Sofiyum, have a very pleasant, joyful sound, reminding me, curiously, of Celtic music. May it carry you through this day!
Perila i(Alexandra Zakharenko) s a composer from Berlin of Russian roots releases one of the heaviest and, frankly, bleakest albums of the year. I spent today trying to unwind a bit as the snow looked pleasant, but after watching Juraj Herz’s The Cremator, hearing this album left me in a somewhat dark place. The sounds are deep and cavernous. It is, in fact, my favorite style of ambient music, as it becomes easy to get lost in the sonic abyss the artist is projecting through her lens. There are two standout tracks on this album; Vaxxine, with gives me the…
Nurbek Serkebaev is a well known Kyrgyz folk musician who plays virtually all Kyrgyz traditional music instruments. The venerabl Antonovka Records have released yet another fine album of traditional music.
We have a new band to follow, and they’re out of Bulgaria. E.U.E.R.P.I. produce a sonorous and pleasantly dark ambient music that sounds heavily influenced by the works of Steve Roach, Matthias Grassow, or even Lustmord. E.U.E.R.P.I. have proven to be as masterful at using field recordings, blending them into their live performance as documented on this record. One to watch out for.
This compilation released by Time Capsule Records is going to be stunningly good. From the release’s Bandcamp site: The innovative, radical soul of Guadeloupe explored across thirty years of contemporary gwoka music, released by Time Capsule and Séance Centre. As Guadeloupean vocalist and composer Marie-Line Dahomay writes in her liner notes to the compilation, gwoka is more than a style of music, it is “a way of living and thinking.” Rooted in the social, musical and ritual practices of enslaved African people and their descendants on Guadeloupe, gwoka has always sought to express the spirit of independence and resistance authentic…
Cut Chemist is an institution in Los Angeles. I first came across his work as a member of Jurassic 5, and it seems he still has the skills of a groove surgeon. Both tracks are bangers, but the first one is my favorite, as it’s a keep originally recorded by Belaynesh Wubante & Assegedetch Asfaw and arranged by the venerable Mulatu Astaké.
Quite an impressive band out of the Philippines, courtesy of Mahorka Records out of Bulgaria. Some info from their Bandcamp site: Luneta Freedom Jazz Collective is an experimental jazz group from Manila, Philippines. Their first studio album “Ethos”, was recorded and released in April 2015. The group would go on to be featured at 2015’s To Be Continued on Stazione di Topolò/Global Health Incubator. Their second album, “Inland Empire” was released in 2017. In 2021 their third album, “Slaves and Masters”, comes out on Mahorka, the dialectic as a narrative that examines the exploitation of labour and social stratification, with…
blockquote class=”wp-embedded-content”>La Montaña Rusa 44.2021. Especial Pat Martino. Today is a rest day for me, so I spent it listening to my friends at Spain’s greatest jazz podcasts, La Montaña Rusa. The program is dedicated to guitarist Pat Martino, who passed away recently. The tracklist: El Hombre (06:00). El Hombre, 1967. Prestige Records. Cisco (04:32). El Hombre, 1967. Prestige Records. Mr. PC (08:18) Gene Ludwig & Pat Martino Trio. Young Guns, 1968. HighNote Records. Baiyina (11:59). Baiyina (The Clear Evidence), 1968. Prestige Records. East (12:44). East!, 1968. Prestige Records. Desperado (08:00). Desperado, 1970. Prestige Records. What Are You Doing The…
The Scorpios are a Sudanese/British Afrobeat band with an incredible pedigree. Regia Ishag, the band’s singer, is the daughter of the guitarist of one of Sudan’s funkiest bands, The Scorpions (obviously not the German hard-rock band bearing the same name). This new generation band maintains the funkiness of their forefathers and adds jazz, more funk and a more general Afrobeat element to the music. It’s rapturous and made for the dance floor or the wedding ceremony equally.
Batov Records, based out of Tel-Aviv, Israel, is producing some funky and hard-hitting music, and this 7-inch by Şatellites simply rocks. The title song of this single is a cover from Arabesque rock legend Hakkı Bulut is a driving jam which is described as a tune “with the force of The Stooges crossed with The JBs.” The second track is an instrumental which is also engaging, but passes too quickly, as I would have loved to hear so much more from it.