Antonovka Records have had an astounding year releasing not only music from Russia’s hinterlands and Central Asia, but even from places like Georgia. This album documents music by Kurdish-speaking Yezidis, who suffered horribly over the past few years in places like Iraq and Syria. Koma Stark play traditional Yezidi folk songs, and they currently reside in Tbilisi, Georgia.
I can’t say for sure if Evgeny Ponomarev’s 2021 release, Clockwise, counts as spiritual jazz, but it is holding it’s own as one of the best jazz releases of the year. Ponomarev plays piano, and is solidly supported by a large cast, incuding: Andrey Polovko — tenor saxophone (1-6), soprano saxophone (2) Grigory Voskoboynik — double bass Peter Mikheev — drums (1-6), percussion (1,4) Pavel Ilushin — guitar (4) Peter Vostokov — cornet (2) Anton Gimazetdinov — trombone, tuba (2)
Davy Spillane is now the reigning undisputed champion of the uillean pipes, Ireland’s most iconic instrument, after the passing away of the legendary Chieftain, Paddy Moloney. This was a fine tune to wake up to.
Land Of Waves, the 6th album by French electroacoustic composer Bérangère Maximin, came out in June of 2020, and when I first heard it, was was left utterly impressed, but I have not had a chance to review it until today. Maximin has an incredible talent to blend together nature, minerals, plant life, animal life, city life, and make it speak in one warmly organized opus. I will have to check if she has released something since then, but, as this is the latest work I can find from her, I can say with some measure of confidence that she’s…
Though this is a one-track release clocking in at over three minutes, it gives a nice taste of the music of Maltese electronic music composer Robert Farrugia. There are some similarities to his work and that of, say, Hans-Joachim Roedelius and Harold Budd, but he is equally comfortable in working in a post-rock frame. Impressive.
Sublime Frequencies never ceases to amaze me with the gems they dig up. From their Bandcamp site: Sublime Frequencies finally unleashes it’s ESSENTIAL compilation from 1970’s Egypt. Modal instrumental tracks from Baligh Hamdi – one of the most important Arabic composers of the 20th Century (writing for legends Umm Kalthum, Abdel Halim Hafez, Sabah, Warda, and many others). Features his legendary group the “Diamond Orchestra” with Omar Khorshid on guitar, Magdi al-Husseini on organ, Samir Sourour on saxophone, and Faruq Salama on accordion. All of these musicians were discovered and recruited by Hamdi to interpret his vision of a modernized,…
This one came as an unsolicited pleasant surprise. I love Afrobeat and am slowly developing a healthy respect for Afro-House, and if I delve further into the genre, it’ll be because of artists like Cameroon’s Nkom Bivoué. What is best about the disc is the absolutely sharp percussion of the album. This is dance floor-ready material that you can also appreciate on its own merits.
The last week I was in the United States before heading off to China, I watched MEV (collecting Alvin Lucier with Frederic Rzewski and Richard Teitelbaum, may their names be ever remembered) and Kayhan Kalhor the weekend before. It was an incredible week of music before heading to more surreal surroundings. Jeff Gburek’s latest album comes at a time where Alvin Lucier, whose mark on contemporary classical and experimental music in general is impossible to overstate, continues to inspire musicians as time passes. It is a ghostly work, at once warm and organic, but imbued with a vibe of a…
Hungarian band CMC have been recording albums since 1989, and, had they received their fair due during the heydey of post-Industrial Electronic Body Music (EBM), they would have been recognized as competitors of such luminaries as Front Line Assembly and Front 242, but with a darker groove. The band’s main actors, composer Vince Kósa and György Szász, have reactivated the band. The grooves are still as powerful as they were nearly 30 years ago, and it feels like they never went away. Three tracks are available to check out, and each will remind you of the days where EBM dance…
I’m proud to have been asked to participate in helping to decide which albums would top the Russian World Music Chart. Here is a press release on this event: Russian World Music Chart 2021 Making Russian world music visible to the world In October 2021, Russia’s first world music chart, the Russian World Music Chart (RWMC), was launched. The purpose of RWMC is to attract the attention of the world music community to the novelties of folk music of multinational Russia, as well as popularization and assistance in promoting unique musicians from remote corners of Russia in the Russian Federation…