The now-legendary Antonovka Records have done astounding work documenting music from Russia’s myriad of ethnic communities. This one is from the so-called “Polish” Old Believers in the Altai region. From the label’s Bandcamp site: “The ancestors of the Altai “Polish” Old Believers were peasants of the Vetka-Starodub territory of the priestly Old Believers, who fled from the persecution of the authorities to the Polish–Lithuanian Commonwealth and to the bordering area of the Starodub regiment as part of the Russia. Upon her accession to the throne, Catherine II invited the Old Believers to return to Russia with a manifesto. However, they…
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Our friends at CPL Music and Nordic Notes had another banner years for releases in the genre of World Music. The sampler includes tracks from the Balkans, Scandinavia and Asia among other locales, and it’s a great way to taste what the label has to offer.
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Yggdrasil are a Faroese project led by multi-instrumentalist Kristian Blak (whom I had the pleasure, many years ago, of meeting in Varna, Bulgaria) and a host of local musicians along with singer Vera Kondratieva from Siberia. You would expect to hear a melding of Scandinavian and traditional Siberian music on Timent Areh, but this also adds elements of jazz, rock and maybe just a touch of post-punk. It’s a fun album, not too terribly dark, sung beautifully and supplemented by a rather tight backing band. Tutl Records, the record label Blak has run since the 1970s, has released another gem. …
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Our beloved friends at CPL-Music have submitted a bizarre and completely engrossing album of ethereal tribal music from Serbia in the form of Vartra. The band was founded in 2017 by Siniša Gavrić and sisters Ivana and Aleksandra Stošić. What makes the music so interesting is that it not only draws from Serbian folk themes, but also Vlach themes as well. The Vlachs are terribly underrepresented in folkloric music, and the chants on this disc serve to remedy this issue.
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The ever-reliable Canary Records out of Baltimore, Maryland, have released a compilation of Balkan 78 rpm shellacs with a lot of the artists being unidentified, but whose music is most assuredly from my home away from home.
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Ialoni are a female traditional music ensemble hailing from Georgia, and they offer on this album, as the title implies, 50 tracks of absolutely stunning renditions of folk material. A keeper.
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A fascinating release from our friends at Antonovka Records. From their Bandcamp website: “Nagaybaks are an ethnic group that descends from the Christian Tatars and shares the same self-name with them — “Kreshenner”, which means “Baptized Ones”. There are about 10 thousand Nagaybaks in total, they live primarily in the Nagaybaksky district of the Chelyabinsk region, in the South Ural area. In the Russian empire the Nagaybaks belonged to the Cossack estate. Many of their villages were named after European settlements, at which the Nagaybaks distinguished themselves in the battles. Fershampenuaz is the capital of the Nagaybak district, it got…
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Finland’s Pelkkä Poutanen provide one of 2022’s best World Music albums, combining a wild combination of Scandinavian folk, drone, throat-singing and, if you can believe it, a very light touch of tango.
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In January, we had the pleasure of reviewing a track called Ćilim from Bosnian ethno-folk band Divanhana, and now, it’s our pleasure to bring you the rest of the album! Zavrzlama is a collection of sevdah tracks which have a darker, more minor-key quality than what I’m used to from the genre. For my ears, it gives the music an even more sensual tinge than normal. There is a muted joy in tracks like Peno, my favorite song, which reminds me why the Balkans is the place I love more than anywhere else in this world despite the challenges they…
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Jan 疆 Hasker is a folk musician out of Xinjiang, China, but this is a bit of a twist, as he uses Altaic and other folk melodies for his musical base rather than Uyghur. From his Bandcamp website: “Jan made this album collecting, sorting and adapting musical elements from China Xinjiang’s Altai nomadic horse people’s culture. Pastoral song’s lyrics are all about the attachment and nostalgia for this homeland and its folk culture. Jan sings in several Altai languages including Kazakh, Tuva (Russian Altai), Kirgiz and Oirat (Mongolian tribe). These nomadic folk songs and melodies travelled through lands and time.…