Starry Earth is a record label out of the United Kingdom offering lo-fi electronic artists with stunningly beautiful minimalist artwork and packaging, releasing cassettes as well as digital downloads. Of Sun And Rain were of particular interest, as the music is hauntingly sparse and engaging.
Tegh & Adel Poursamadi are a duo from Tehran, Iran, who are bringing a new spin to electroacoustic and experimental music. Sadly, only one track is available for the moment, but it shows how the duo meld string instruments and electronic soundscapes together seamlessly.
Sublime. There’s no other word for it. If you enjoy modern classical music, especially by composers like Gorecki, Ligeti or Penderecki, Canadian composer Adrian Copeland has something here which will appeal to you, with long, mournful drones, sparse instrumentation, and a rough, melancholic feel to the tracks. Track 4, Heir to the Ember Sun, was my favorite track, as it stays within the classical realm, but adds elements and a pop structure that reminded me of the Penguin Cafe Orchestra. A fine album.
When I hear the words Avant-garde in relation to contemporary classical music, I think normally of some me composers who pull out old, clichéd tropes. This release from Kenyan composer Nyokabi Kariuki is so stunningly weird that the album has given itself the right to be termed Avant-garde correctly.
Chris Child & Micah Frank are two incredible composers out of the New England area of the United States. From this particular release’s Bandcamp site: Tape Pieces Vol. 3 represents the final installment in the collaboration between composer/producer Chris Child (Kodomo) and sound artist Micah Frank. Volume 3 culminates in a rich cacophony of noise and emotional charge while still remaining subdued in a contemplative state. Chris and Micah continue exploring simple asynchronous micro loops, layering upon them until what emerges becomes a rich ecosystem of interwoven parts, embracing unexpected noises and sounds disintegrating. It is perhaps the most experimental…
Bassist Jason Köhnen has a deep pedigree in the world of darkjazz. He was a member of the profoundly interesting Kilimanjaro Darkjazz Ensemble out of The Netherlands, and he’s now participating in a new project with Dimitry El-Demerdashi (ex-Phurpa) and Martina Horváth on vocals. As noted on Mansur’s Bandcamp site: “‘Minotavrvs’ is Mansur’s first live improv recording. An ambient journey. A musical homage to the mythos of the Minotaur. The minotaur as a mirror of self reflection; the fear of confronting one’s inner monster. ‘Minotavrvs’ is a sonic voyage through subterranean ruins and labyrinths, evoking spirits from past echoes of Minoan…
Our friends at Lost Tribe Sound have at least three releases coming up which will be reviewed here. I’m pretty excited to introduce you to ambient composer Federico Mosconi, whose compositions feel cavernous, made more impressive that he’s pulling this together with guitar and effects. For those of you who appreciate the work of Spanish composer Rafael Anton Irisarri, you’re going to love Mosconi’s work.
Hear me out on this one. Gang Violins, a duo out of New Zealand, released a single to their upcoming album Inner Realms, and it’s a well-crafted mix of cinematic ambient music and post-rock, but it triggered a memory of the subtle buildup to the song Where The Streets Have No Name by U2. No surprise, as Daniel Lanois and Brian Eno had a lot of input, and made a rather decent pop song start lushly. I’m looking forward to hearing more from these lads.
Experimental music isn’t a genre that avails itself to the power trio. In this case, however, Jeff Gburek, John El-Manahi and John Palumbo should be given such a venerable title. The music they produce as Orphan Sound System is reminiscent of vintage progressive rock bands like Faust or Cranioclast but with production input by the Gyuto Monks. This is sitting on the nexus point of psychedelic music, post-Industrial and experimental. Challenging listening, but ultimately rewarding, as the listener will feel as though they’re being transported on a not-unpleasant tour of Saṃsāra. Lineup: Jeff Gburek: electric guitar, bassic guitar, microfreak, drum machine,…
Because I could Not Stop for Death... is a quote from poet Emily Dickinson, and listening to JOHN 3:16 interpret it is a pleasant experience, as the music on this one-track single is sweeping and cinematic, a touch different from his other work.