Shaytoon Records has released a compilation introducing some of the finest minimal techno coming out of Iran these days. The label is based in New York, but the bands come, more or less, from the motherland, though America’s Persian diaspora is well-represented. The beats are rather icy and cold, reminding me of acts like Front Line Assembly and Delerium, though bearing a more mellow hue. These acts are definitely worth exploring.
-
-
Bassist Jason Köhnen has a deep pedigree in the world of darkjazz. He was a member of the profoundly interesting Kilimanjaro Darkjazz Ensemble out of The Netherlands, and he’s now participating in a new project with Dimitry El-Demerdashi (ex-Phurpa) and Martina Horváth on vocals. As noted on Mansur’s Bandcamp site: “‘Minotavrvs’ is Mansur’s first live improv recording. An ambient journey. A musical homage to the mythos of the Minotaur. The minotaur as a mirror of self reflection; the fear of confronting one’s inner monster. ‘Minotavrvs’ is a sonic voyage through subterranean ruins and labyrinths, evoking spirits from past echoes of Minoan…
-
Our friends at Lost Tribe Sound have at least three releases coming up which will be reviewed here. I’m pretty excited to introduce you to ambient composer Federico Mosconi, whose compositions feel cavernous, made more impressive that he’s pulling this together with guitar and effects. For those of you who appreciate the work of Spanish composer Rafael Anton Irisarri, you’re going to love Mosconi’s work.
-
Bassist GS was once a member of the legendary rock-in-opposition band Univers Zéro, and he has continued on his incredible music journey with a new project, the Eclectic Maybe Band. From the Discus Records Bandcamp site: “Again Alors? is the third release by the band, which brings together detailed studio work with the creativity of real time improvisation. Using different groupings from within a large ensemble cast, which includes many well-known names, Guy has created an album where half the tracks are drawn from live improvisation in the studio and half are created from the ground up with players adding their composed…
-
Freyja Garbett, a Berklee graduate has made a remarkably innovative album. From her Bandcamp website: “Garbett’s heady compositions draws influence from a vast range of styles and musicians. A graduate of the Berklee College of Music, she lists pianists and composers such as Fred Hersch, Gerald Clayton and Maria Schneider as critical influences to her music, along with the likes of Flying Lotus, J Dilla and Snarky Puppy. “The pieces from my debut album are an exploration of an electro-acoustic approach to jazz composition and improvisation,” begins Garbett. “These compositions are springboards for improvisation and creativity. An added element to…
-
It’s hard to imagine a more technically proficient power trio than the Stick Men. Tony Levin, Markus Reuter and Pat Mastelotto are all King Crimson alumni or associates, and each bring their superlative talents to their instruments of choice. It’s the band’s first new music in six years. Amazing work.
-
We’re going to have to wait until June 27th before we can actually hear a sample from this 7-inch single by the absolutely legendary actor/”singer”/raconteur and real-life astronaut William Shatner, but it’s pretty exciting to know he’s working with a prog-rock luminary like Steve Hillage covering Elton John’s Rocket Man and the metal god Ritchie Blackmore covering David Bowie’s Space Oddity as a B-side Click here to read more about this release.
-
I think this may be the first Gabonese album I’ve had the pleasure of reviewing. Orchestre Massako are a band who mixes Afro-Funk with cumbia beats, blending the best of Africa and Latin America together in a joyous mix.
-
It’s very rare for me to review a folk album that doesn’t involve an element of rock in it, but this is something special. Allegra Krieger is a singer-songwriter based out of New York, and the songs on her album especially Precious Thing, are some of the most gentle ballads I’ve heard in a long while. Her voice is fragile, almost to the point of breaking, but she sings so calmly that these tunes almost qualify as lullabies. This was a surprisingly relaxing, warm album. Well done.
-
“A massive, oppressively brutal wall of sound.” That was the first impression that popped into my head after listening to Arvo Zylo’s project, Blood Rhythm’s latest release, New Illusions. Think of ritualistic noise with some sense of structure, like Z’ev meeting Merzbow’s more restrained and focused works. This is bleak, claustrophobic, ugly, and fitting with the zeitgeist of our current time. A heavy listen, made much better and more engrossing with headphones.