• Music

    Subact – Life EP

    Subact are based out of Dresden, Germany, and are friends of myself and my former blog, A Miscellany Of Tasteful Music.  They produce a very hyperactive electronic music sound, and the energy given out is dance-floor-friendly.  As well as dubstep, one can hear ragga, jungle, and if you can believe it, Krautrock.  Yes!  They have managed to be one of the few bands who have legitimately modernized the genre, rather than serve as retro band copying the masters (which I have no problem with, to be honest).  It’s good that the lads have managed to keep evolving as any good…

  • Music

    subduxtion – Deep Space

    Philippe Gerber comes back to us with a new project called subduxtion which flows in a very different direction from other works on his label. subduxtion is the monicker of Christopher Gilmore, a composer I’m very new to.  This tends to go more into tech-house and minimal dub, and the beats are pretty vicious.  An impressive one-off.

  • Music

    Orphan Sound System – Layered Seed Water

    My (Western) Easter listening happens to be an avant-garde recording put together in the mid-nineties in Italy and just now being released.  Imagine works being recorded nearly a quarter-century ago still sounding fresh and relevant.  This is the sound of Orphan Sound System.  The project features the talents of Jeff Gburek, John El Manahi and John Palumbo.  I find it difficult to compare it to an artist of that particular time period, though perhaps I can hear a corollary with groups like AMM, the scores of incredibly talented cassette culture artists who worked with lo-fi conditions to make incredible art,…

  • Music

    Yanti Bersaudara – Anggrek Merah

    On this Holy Saturday for our Western Christian friends, I’d like to present to you a group out of the island of Java in Indonesia called Yanti Bersaudara (The Yanti Sisters), who were a well-known pop group during the 1960s.  Sounds Of Asia are releasing a lot of lost albums of high quality, and this is among their latest.

  • Music

    Sean Khan – Starchild

    I came across Sean Khan’s work a couple of years ago when he paired up with Brazilian jazz legend Hermeto Pascoal on a phenomenal record called Palmares Fantasy. He’s back on his own a new Samba-infused track and a remix of it for your listening pleasure.

  • Music

    Lance Austin Olsen | Terje Paulsen – Nattinsekter

    Though I am familiar with the great experimental musician Terje Paulsen, I have not yet heard the works of Lance Austin Olsen, and I’m impressed with this pair’s use of field recordings and instruments into one organic whole. From Lance Austin Olsen’s Bandcamp site: Nattinsekter (night insects) developed from my ongoing graphic score A Night On The Veldt, which references my childhood in Southern Rhodesia (Zimbabwe) and the many times I was out at night with my father on the veldt listening to the nocturnal soundscape. The sounds from the veldt have continued since the beginning of time and will…

  • Music

    Gruvi & CVTKVC – Pandora EP

    It looks like Colombia has a rich techno scene, and the record label Psicodelica are spearheading it.  Gruvi seem to be based in Romania, and produce a very rich, bass-heavy minimal techno sound.  It is both dubby and danceable, and the B-track is even more stripped down with a remix by Serbian DJ CVTKVC.

  • Music

    James Lindsay – Torus

    April 23, 2021 is a bit of a long way from today, but waiting three and a half weeks for what is a very impressive album is a small price to pay. James Lindsay is a Scottish folk musician who absolutely transcends the genre.  Having had the pleasure of hearing some of these tracks in advance, I have to say that James not only masters folk music incredibly well, but he manages to shift directions into contemporary jazz, fusion (a touch), Nu-Jazz and even hints of ambient music. I’m old enough to remember Scottish folk as being something quite different…

  • Music

    Der Finger – Le Cinque Stagioni

    Russia has a pretty remarkable history with jazz.  Even during the Soviet times, everything from Dixieland to hard bop was represented rather well, and free jazz is no exception.  Der Finger are the trio of Anton Efimov (bass), Evgenia Sivkova (drums & saxophone) and Edward Sivkov (bass clarinet, saxophone and bass-domra).  They make a racket (and that is meant in a good way) that is indeed free and open, and almost borders on Industrial music in parts.  Good listening.