One of the great joys of my vocation is discovering musicians I would probably never otherwise encounter. Enter Corrado Maria de Santis, courtesy of our dear friends at Lost Tribe Sound: “Corrado Maria De Santis, an Italian guitarist, skillfully combines the raw spontaneity of improvised guitar with computer-generated sounds, crafting captivating sonic landscapes characterized by ambient drones and glitch-infused textures. Having contributed to various notable music labels, he now presents his inaugural album on Lost Tribe Sound. ‘Over a Long Time,’ is a deeply personal collection for Corrado, capturing an extended and challenging period of life surrounding the passing of…
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Something perfect for Halloween, this soundtrack released by Sounds For The Soul should be enough to either scare trick-or-treaters away or leave the more interesting ones intrigued by the dark and heavy sounds coming from this album.
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Lost Tribe Sound has another release featured this week! This one pairs two leading composers, Dag Rosenqvist & Aaron Martin, working together creating a filmic masterpiece. The music is tense, influenced by everything from classical music to ethereal. From the press release: “American and Swedish composers Aaron Martin and Dag Rosenqvist came together in 2011 under the name FROM THE MOUTH OF THE SUN. Their first album Woven Tide was released by Experimedia in 2012 and they returned in 2015 for their second album Into the Well. In 2016, three pieces from Woven Tide played an integral role in David…
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Somnimage impresario Mykel Boyd, a stunningly good composer in his own right, has released a 20-minute work of a grim, hazy, yet beautiful soundscape where you feel trapped in the bowels of the set of a sci-fi epic.
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Sanr is a project out of Turkey who has released an album so drone-laden and so darkly ambient that it would have fit perfectly between a collection of Cold Meat Industry records and the Terminator 2 soundtrack. It’s heavy, foreboding and magnificent listening if you like a horror vibe.
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ruò tán are China’s more organic answer to old post-Industrial/cassette-culture bands like Germany’s Cranioclast. The music is eerie, yet so utterly engaging. Probably the best reference to this music is for those of you who remember not only the aforementioned band but the early works of projects like O Yuki Conjugate out of Great Britain. Not at all music to meditate to, but it did make for engaging music to lay back to and simply absorb.
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There are two very short tracks on this release by They Came From Hell, one of the many fine side projects of composer Philippe Gerber, but the music is so oppressively dark are foreboding that it would make for stellar soundtrack music.
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Hail! to our friends at Kalamine Records in France for producing yet another fine dark ambient/drone/post-Industrial masterpiece. There’s a lot of drama and pathos in this recording by Christian Fiesel, sounding very much like it would be a fine updated soundtrack to any good expressionist film of the early 1920s or 1930s. An engaging listen.
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Kuzman Markoski has produced a rather fine EP’s worth of soundtrack-style music. The composer, thereminist and sound designer offers a groove-filled, damn-near danceable disc. From his Bandcamp site: “Kuzman is a versatile musician and audio-visual artist based in Skopje, Macedonia. With a background in classical training, he has honed his skills as a composer, thereminist and sound designer. This highly anticipated release comes two years after his debut solo album “Collective Zero” that marked Kuzman’s first foray into the world of studio albums as a solo artist, after his successful tenure with the Berlin-based band The Protagonist and the collaboration…
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This is a curious release. Abandoned Toys manages to balance ethereal ambient music with symphonic progressive rock. A rather brilliant balance, indeed.