Jeff Gburek & Karolina Ossowska – One Moon, Many Shines

This is some of the best late-night listening I’ve heard in a long time.  Neither Jeff Gburek nor Karolina Ossowska ever fail to please my ears, whether it be with a deep intellectual piece or compositions which teeter on the edge of being mournful, but this one deserves a special place in the collection.  From Jeff’s Bandcamp site:

“Inspired in part by a recent renaissance in listening to dhrupad and other music of the Indian subcontinent and early European music, I transformed my standard GDR zither into a swarmandal, developing a full moon raga scale. When I invited Karolina to play with me, we discovered the violin had to drop half a step or so deeper to catch the root tone. The dynamics became more concrete as other voicings defamiliarized our instruments, necessitating fresh improvisational approaches. Microphones were set up close to catch textures and accentuate acoustic timbres. I played the zither with my bare fingers, a folded paper-towel, sometimes a plectrum, a glass jar became a make-shift slide as I’d left my guitar slide behind accidentally and the e-bow is introduced mostly on the sly, where it’s not entirely obvious. Recorded in the village of Głęboczek, Podlasia, near the Bug river on December 25th and 26th (full moon), 2023. Thanks to our hosts Krystoff Lang and Katarzyna Król Modrak.”

Franco & O.K. Jazz – Franco Luambo Makiadi Presents Les Editions Populaires (1968-1970)

Franco was the pride of what was then (and would be again) the Democratic Republic of Congo, for a brief spell known as Zaire.  He went from singing rumba and bolero tunes to developing a funk-influenced sound that lit up most of the African continent.  From the Bandcamp site:

“This compilation brings together an original selection of 16 tracks from the first three years of Les Editions Populaires. They are a showcase of the sound Franco had envisioned for his band. The focus was less on cha-cha-cha and Spanish lyrics, but on lingering rumba and bolero ballads in Lingala, tradition-rooted songs in Kikongo, Kimongo and even Yoruba, collaborations with Ngoma artists Camille Feruzi and Manuel d’Oliveira and not to forget solid pastiches of American funk, which were showing that the OK Jazz musicians had an open-minded view on music and were capable of excelling in many genres. Mama Na Ngai indeed!

Brotha Lok – True Lai : Flèches contre Balles

Brotha Lok is a French producer and DJ of Vietnamese extraction, and he has produced a wild album with no solid focus, but it listens are more of a travelog.  Bits of hip-hop, ethnographic recordings, field recording, spoken interludes (including a bit of laughter here and there) are brought together into a very personal album.

Mohammad Syfkhan – I Am Kurdish

A very pleasant release from Mohammad Syfkhan, a Kurdish musician currently based in Ireland.  From the Nyaah Records Bandcamp site:

“Mohammad’s own brand of ecstatic music takes elements from Middle Eastern and North African music to create an atmosphere of joy, love and happiness. The songs on ‘I am Kurdish’ have been recorded and mixed with the view to make them to suitable for listening to at a small get together or to be played on a big rig at night clubs. Either way, it is a record that will make people dance.”