It’s impressive to hear when those who work outside of music under normal circumstances bring their talents into music, especially of a dark ambient variety. Giacomo Triglia, who works under the name Bolduchin, provides a bleak, yet very lively soundtracks to the horrible dreams we all have now and then. Actually, this would make a perfect soundscape for walls closing in on you. Labels like Cold Meat Industry and Cryo Chamber would find this very familiar sonic territory.
Soundtrack music is always welcome in my inbox, especially if it is quiet, brooding and sets a heavy mood for an indie film. I can’t say I know too much about Daniel Thomas Freeman, but now that we are in contact, I look forward to hearing more albums which blend ambient, experimental and soundtrack music together so seamlessly. If you want to delve further into Daniel’s music, consider checking out his Spotify page. The music here is less atonal, but a pleasure to hear nonetheless.
Julien Bigorgne is a flautist working out of Paris, France, who also happens to be an oud player. The music on this album is filmic, a soundtrack to a non-existent film. The music walks the line between soundtrack compositions of Yann Tiersen, jazz and world music (such a nebulous term, but until I find a better one, I’m stuck using it). One can also hear dabs of the music of French national treasures like Erik Satie and Claude Debussy. The album is unique, relaxing, easy to listen to and flow with.