Mikael Tariverdiev was a Russian cinema and TV composer of Armenian extraction but raised Tbilisi, Georgia, a true man of the Soviet world. Though he was quoted as not particularly liking jazz, he was as good an improviser that Russia ever produced. From the release’s Bandcamp page: “Visions in Black and White is a collection of rare jazz and improvised themes by one of the greatest Russian film composers Mikael Tariverdiev (1931-1996). Transferred from the original tapes and beautifully remastered, these recordings manage to retain their original ambience and capture a master at work. Originally composed for cinema and TV movies…
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Our friends at Fancy Music are releasing consistently good music in the contemporary classical, jazz and progressive rock fields. Ivan Grebenschikov composes music which manages to combine all three genres effortlessly, and adds in free jazz, rock and Latin American music into a fine stew.
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Russian violinist Valentina Goncharova is having something of a renaissance these days. She had an album come out earlier in the year which were unpublished (you can find Volume 1 here and Volume 2 here). Now, we have a full album of recordings last heard on Leo Records many years ago as part of a box set called Document – New Music From Russia – The 80’s, a pinnacle of Russian avant-garde music. The recordings have been lovingly remastered, and the drony sound is magnificent.
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First, a disclaimer: I am posting this review with the understanding that Leo Records has licensed this astounding collection covering the career of the late enfant terrible of Russia’s then-thriving avant-garde music community, Sergey Kuryokhin, to Old Heaven Books Records in Shenzhen, China. If this is so, it’s wonderful to know that Sergey’s reach will continue to grow almost three decades after his passing. Collaborators on this box set include Igor Butman, Sergei Belichenko, Valentina Ponomareva and Boris Grebenshchikov among others. I’m excited to see Old Heaven Books continue to branch out.
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417.3 appeared on my radar about 7-8 years ago when I was trying to explore more about Russian post-rock. They are a heavy instrumental band, but not overly “mathy” or anything like this. 47 is a one-track single with the sort of shimmering guitar playing that one would expect from post-rock bands, as it seems to be the calling card of the non-metal end of the genre’s spectrum.
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Composer and producer Sergei Guselnikov is based out of Russia, and he sent me one of his latest releases. As far as the music goes, the first two tracks are strong post-metal / post-rock, but what really intrigued. me was the last one, which was airy, atmospheric, and features the vocals of Daria Shakhova, who also fronts Hale De Mars. Also featured are the contribution of the Brandy Kills vocalist Igor Shapransky on the second track, and as I’m new to his work, it’s great motivation to learn more about all three musicians featured on this EP.
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Kosta Trokai is a Russian violinist whose work I’ve followed for several years now. He has a massive catalog behind him and it straddles comfortably between classical music and free improvisation.
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Odessa is a city that both Ukraine and Russia, as well as its many Jewish and even Tatar inhabitants, claim to be its own. Never mind the political hideousness of today, and let me present you with one of the most fascinating releases I’ve heard in contemporary classical and jazz scenes. Vadim Neselovskyi is a pianist who hails from Ukraine, and has collaborated with giants such as Gary Burton, Herbie Hancock, Wayne Shorter and John Scofield, among others. This paean to the city of his birth is a magnificent blend of modern classical music and the sort of jazz which…
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Vtoroy Etazh Porazhayet (2nd Floor is Striking) are a Moscow post-punk outfit, and it seems both Russia and Belarus are producing a lot of these days. They are released by the French record label Belka Records. Their sound will appeal strongly to those who are into the post-punk renaissance of the past five years or so.
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Roz Vitalis are a progressive rock band out of St. Petersburg, Russia, who have wowed audiences worldwide by blending symphonic prog with slightly more avant-garde tendencies. The tracks here are recorded live, but don’t let that dissuade you from trying out this album. The sound is crisp and full, and the performances are a nice development from their studio work.