It’s not often that I run into a combination of black metal and shoegaze music (blackgaze), but Japan’s Isiliel is such a beast. For black metal, the vocals are rather elegant and symphonic. Interesting and well done.
There is no better way to tell the story of this gorgeous and lovingly remastered release by Akiko Yano than to let our dear friends at Wewantsounds to explain it for themselves:
“Wewantsounds is proud to continue its Akiko Yano reissue series with the release of the singer’s third studio album ‘To Ki Me Ki’, recorded in New York and originally issued in 1978 in Japan. It follows her cult “Iroha Ni Konpeitou” LP and retains a similar blend of Japanese pop and New York funk. “To Ki Me Ki” features such musicians as Rick Marotta, Will Lee and David Spinozza and also programmer Hideki Matsutake who would soon join the YMO with Akiko for their international 1979/1980 tour before she recorded her next studio album “Tadaima” that year, featuring the YMO musicians. “To Ki Me Ki” is reissued outside of Japan for the first time, remastered in Tokyo by revered engineer Mitsuo Koike and featuring original artwork by Tsutomu Murakami with 4 page colour insert and new liner notes by Paul Bowler.
1978 was a key year for Japanese Music. Yellow Magic Orchestra was about to release their ground-breaking debut album. All musicians involved had also released key solo albums that year (Sakamoto with “Thousand Knives“, Takahashi with “Saravah” and Hosono with “Paraiso“). Akiko Yano (who would soon join the YMO on tour for their first international tour) was no exception, releasing the brilliant “To Ki Me Ki”. Having started her career with a bang recording “Japanese Girl” in 1976 with Little Feat, Akiko had quickly established herself as a leading force on the Japanese music scene.”
Read the rest of the promo material here. This is rightly seen as a timeless record.
We Release Whatever The Fuck We Want Records (charming name, better known by its acronym WRWTFWW) has released a rather unique album. It pairs Japanese ambient/environmental legend Takashi Kokubo (Ion Series) and Italian & Swiss trombonist Andrea Esperti (Esperti Project) working under the name of Music For A Cosmic Garden.
From the label’s Bandcamp site:
“Takashi KOKUBO is a Japanese environmental musician who produces healing music that gently resonates with people’s hearts. He has recorded “sound scenes from nature” in countries around the world using a binaural “CyberPhonic” microphone of his own invention, and incorporates these dimensional sounds of nature in his work. The founder of Studio Ion, he has released more than 20 albums that include the highly sought-after Ion Series. His track “A Dream Sails Out to Sea, Scene 3” was featured on Light in the Attic’s Grammy-nominated Kankyō Ongaku compilation.
Andrea ESPERTI is a Swiss trombonist and composer originally from Puglia (Italy). He plays in multiple genres (classical, pop, world, electro, jazz) in an eternal approach of exchange and encounters. He travels the world, listening to others and interacting with their cultures, crystallizing his globe-trotting emotions through music projects. More info at andreaesperti.bandcamp.com
For fans of environmental, ambient, cosmic escapes, the works of Midori Takada, Hiroshi Yoshimura, and Satoshi Ashikawa, meditative atmospherics, and gardening in space.”
mama!milk are a project out of Japan who mix the experimental music vibe of Pauline Oliveros and tango. Weird mix, but beautiful in its own way.
Akira Sakata may be best known internationally for collaborations with guitarist and composer Jim O’Rourke and bassist Bill Laswell, but in Japan and among jazz aficionados, he’s also known as one of Japan’s best purveyors of spiritual jazz. This album is his latest, and it’s imbued with deepness and humor in equal measure.
From Light In The Attic Records, this is perfect Sunday listening:
“With Pacific Breeze 2: Japanese City Pop, AOR & Boogie 1972-1986 we dig deeper into those sounds of bubble-era Japan. From the proto-City Pop funk of Bread & Butter and Eiichi Ohtaki to the crate-digger favorites Eri Ohno and Piper, the latest entry in Light In The Attic’s Japan Archival Series brings another set of sought-after tunes, most of which have never before been available outside of Japan. Tomoko Aran and Anri, also included in this compilation, are just a few of the artists who have gained popularity in recent years thanks to Vaporwave, the meme-genre that heavily samples Japanese City Pop to create its particular aesthetic.”
I can’t say I’ve ever had the pleasure of introducing Chihei Hatakeyama to my readers before, but he is a master of elegant sound design. These three compositions are based on his travel to Amami Oshima, north of Okinawa.
Great news, yet again, has been provided to us by our dear friends at Wewantsounds! From their Bandcamp site:
“Wewantsounds is delighted to announce the first international reissue of Ayako Shinozaki’s hard to find LP “Music Now For Harp” released in 1974 by Nippon Columbia. The LP was released on the label’s cult “Master Sonic” series and features Shinozaki’s harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic ‘Heterodyne’ featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves. The album has been newly remastered by Nippon Columbia and is reissued here with its original artwork designed by legendary Japanese graphic designer Kohei Sugiura. It includes a 2 page insert with new liner notes by Alan Cummings.
Japanese harpist Ayako Shinozaki was born in Japan in 1946 into a musical family. Her father was a renowned violonist and teacher and she started playing the violin under his wing before switching to harp. She first studied in Japan, then at Julliard in New York and, upon her return in Japan in the early 1970s, she launched her yearly “Harp No Koten” recital (the first or which took place in 1972) with the idea of pushing the boundaries of the instrument and delves into the more experimental side of the spectrum following the recent steps that had been made by Dorothy Ashby and Alice Coltrane to get the instrument out of the classical music ghetto.”
The ever-fantastic Wewantsounds is giving the gold-star treatment to Akiko Yano, wife of the recently departed Ryuichi Sakamoto and fine musician in her own right, collaborating with Haruomi Hosono, Yukihiro Takahashi, David Sylvian, Mick Karn, Charlie Haden, Bill Frisell, Thomas Dolby, and a host of others. From the label’s Bandcamp site:
“Wewantsounds continues its Akiko Yano reissue programme with the release of “Iroha Ni Konpeitou,” another superb Akiko Yano album and one of her funkiest, highlighting her unmissable singing and songwriting talents. Recorded in Tokyo and New York City, the album features a superb line up of the best musicians from both cities including Haruomi Hosono, Shigeru Suzuki, Tatsuo Hayashi, Rick Marotta and Will Lee. It sees Yano mixing Japanese pop with funk and a touch of electronics, playing a wide array of keyboards programmed by YMO synth wizard Hideki Matsutake. This is the first time the album is released outside of Japan and this deluxe LP edition includes an OBI card, remastered sound plus the original 4-page insert with poster, lyrics and full line-up.”
Rural Track are a band out of Japan who do heavy shoegaze rock, so those of you who miss My Bloody Valentine’s peak moments would do well to check this track out.