Neither Merzbow nor Meat Beat Manifesto will need no introduction to connoisseurs of either Industrial music or the sound that made Wax Trax! Records famous. I never, in my wildest dreams, thought that these two would join forces for an album, and, miracle of miracles, their styles actually work well together.
From the World Famous Records Bandcamp Site: “Dive into the exhilarating era of Japan’s electronic dance music scene from the mid ’80s to the mid ’90s with Japan Vibrations Vol. 1. The hand-picked collection by DJ and musical storyteller Alex from Tokyopays homage to the trailblazers and innovators who shaped the landscape. […] Experience the vibrations of pioneers Haruomi Hosono, Ryuichi Sakamoto, and Yasuaki Shimizu. Of culture-shaping forces Hiroshi Fujiwara, Kan Takagi, Susumu Yokota, Silent Poets, Mondo Grosso and Kyoto Jazz Massive. And of new-generation artists CMJK (C.T. Scan), Mind Design, Okihide, and Hiroshi Watanabe. The evolution of a scene,…
Ramble Records out of Australia have published a unique album here – one that should be seen as a modern psychedelic rock masterpiece. From their Bandcamp site: “Shūko No Omit, the name of the band, featuring Yonju Miyaoka on guitar and Vocals, his older brother Taiju Sugimori on bass and chorus,and his cousin Yuya Yamazaki on drums and chorus, is a mix of Japanese and english. Yonju told me he came across the word omit while reading an old English dictionary. Shuko (終古) is old Japanese. A word no longer used. One lost to time. The characters 終 + 古mean…
It’s not often that I run into a combination of black metal and shoegaze music (blackgaze), but Japan’s Isiliel is such a beast. For black metal, the vocals are rather elegant and symphonic. Interesting and well done.
There is no better way to tell the story of this gorgeous and lovingly remastered release by Akiko Yano than to let our dear friends at Wewantsounds to explain it for themselves: “Wewantsounds is proud to continue its Akiko Yano reissue series with the release of the singer’s third studio album ‘To Ki Me Ki’, recorded in New York and originally issued in 1978 in Japan. It follows her cult “Iroha Ni Konpeitou” LP and retains a similar blend of Japanese pop and New York funk. “To Ki Me Ki” features such musicians as Rick Marotta, Will Lee and David…
We Release Whatever The Fuck We Want Records (charming name, better known by its acronym WRWTFWW) has released a rather unique album. It pairs Japanese ambient/environmental legend Takashi Kokubo (Ion Series) and Italian & Swiss trombonist Andrea Esperti (Esperti Project) working under the name of Music For A Cosmic Garden. From the label’s Bandcamp site: “Takashi KOKUBO is a Japanese environmental musician who produces healing music that gently resonates with people’s hearts. He has recorded “sound scenes from nature” in countries around the world using a binaural “CyberPhonic” microphone of his own invention, and incorporates these dimensional sounds of nature in his…
mama!milk are a project out of Japan who mix the experimental music vibe of Pauline Oliveros and tango. Weird mix, but beautiful in its own way.
Akira Sakata may be best known internationally for collaborations with guitarist and composer Jim O’Rourke and bassist Bill Laswell, but in Japan and among jazz aficionados, he’s also known as one of Japan’s best purveyors of spiritual jazz. This album is his latest, and it’s imbued with deepness and humor in equal measure.
From Light In The Attic Records, this is perfect Sunday listening: “With Pacific Breeze 2: Japanese City Pop, AOR & Boogie 1972-1986 we dig deeper into those sounds of bubble-era Japan. From the proto-City Pop funk of Bread & Butter and Eiichi Ohtaki to the crate-digger favorites Eri Ohno and Piper, the latest entry in Light In The Attic’s Japan Archival Series brings another set of sought-after tunes, most of which have never before been available outside of Japan. Tomoko Aran and Anri, also included in this compilation, are just a few of the artists who have gained popularity in…
I can’t say I’ve ever had the pleasure of introducing Chihei Hatakeyama to my readers before, but he is a master of elegant sound design. These three compositions are based on his travel to Amami Oshima, north of Okinawa.