Akira Sakata may be best known internationally for collaborations with guitarist and composer Jim O’Rourke and bassist Bill Laswell, but in Japan and among jazz aficionados, he’s also known as one of Japan’s best purveyors of spiritual jazz. This album is his latest, and it’s imbued with deepness and humor in equal measure.
From Light In The Attic Records, this is perfect Sunday listening: “With Pacific Breeze 2: Japanese City Pop, AOR & Boogie 1972-1986 we dig deeper into those sounds of bubble-era Japan. From the proto-City Pop funk of Bread & Butter and Eiichi Ohtaki to the crate-digger favorites Eri Ohno and Piper, the latest entry in Light In The Attic’s Japan Archival Series brings another set of sought-after tunes, most of which have never before been available outside of Japan. Tomoko Aran and Anri, also included in this compilation, are just a few of the artists who have gained popularity in…
I can’t say I’ve ever had the pleasure of introducing Chihei Hatakeyama to my readers before, but he is a master of elegant sound design. These three compositions are based on his travel to Amami Oshima, north of Okinawa.
Great news, yet again, has been provided to us by our dear friends at Wewantsounds! From their Bandcamp site: “Wewantsounds is delighted to announce the first international reissue of Ayako Shinozaki’s hard to find LP “Music Now For Harp” released in 1974 by Nippon Columbia. The LP was released on the label’s cult “Master Sonic” series and features Shinozaki’s harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic ‘Heterodyne’ featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves.…
The ever-fantastic Wewantsounds is giving the gold-star treatment to Akiko Yano, wife of the recently departed Ryuichi Sakamoto and fine musician in her own right, collaborating with Haruomi Hosono, Yukihiro Takahashi, David Sylvian, Mick Karn, Charlie Haden, Bill Frisell, Thomas Dolby, and a host of others. From the label’s Bandcamp site: “Wewantsounds continues its Akiko Yano reissue programme with the release of “Iroha Ni Konpeitou,” another superb Akiko Yano album and one of her funkiest, highlighting her unmissable singing and songwriting talents. Recorded in Tokyo and New York City, the album features a superb line up of the best musicians…
Rural Track are a band out of Japan who do heavy shoegaze rock, so those of you who miss My Bloody Valentine’s peak moments would do well to check this track out.
This is a heavy, near-monstrous release involving Japanese singer and bassis Junko Ueda and the French avant-prog group PoiL. From their Bandcamp site: “PoiL Ueda is the result of a collaboration between Junko Ueda, a vocalist and satsuma-biwa player from Japan, and PoiL, a French rock/contemporary music band. The creation is based on the 13th-century Japanese epic tale “Heike-Monogatari.” The composition is based on traditional epic singing accompanied by the satsuma-biwa and Buddhist Shomyo chant. Through the fusion of an ancient Japanese traditional music with a hyper modern European musical formation, this project offers the opportunity to discover a unique musical…
The eyes in this house aren’t very dry at the moment. We lost yet another legend today. This time, it was the shocking, though not unexpected, passing of drummer and composer Yuki Takahashi, who made his fame as drummer and singer of the Yellow Magic Orchestra. He first gained fame with the Sadistic Mika Band, which would evolve into The Sadistics before moving on to making solo albums, then YMO, and collaborations with British artists Bill Nelson and Steve Jansen. He leaves a massive body of work, most of which still needs an assessment outside of Japan.
Two of the greatest legends in free jazz and psychedelic rock, Keiji Haino and Peter Brötzmann, join forces after a long while in this four-album noise-fest. My understanding that the vinyl pressing on Black Editions, which includes a 3-inch CD, is long sold out, which is unfortunate, but a standard edition is available for $100, a bit high, but for these two, and for a four-LP set, it just might be worth the price.
Modern Obscure Music out of Barcelona, Spain, is making Baroque available for the first time ever on vinyl. This disc was one of them many treasures the late Japanese composer Susumu Yokota released before his passing in 2015 at the age of 54. The album presents some of the most listenable and engaging techno I’ve ever heard, making warmth out of electronic processing. Though it’s sad to know he is no more, it’s wonderful to know that labels like Modern Obscure Music are doing their part to make sure Yokota’s work is never forgotten.