Z Tapes is a small-but-mighty label out of Bratislava, Slovakia, who release everything from bedroom pop to properly polished indie music. They have a massive roster of artists they work with, and also, bucking the current trend for vinyl, offer cassette releases. There is a lot of appealing music on Continue Reading
Indie
Black Ink Stain – Incidents
Our friends over at P.O.G.O. Records have released a record which relates very well with acts like Big Black and The Jesus Lizard. Black Ink Stain are from Belgium, and I have to say this album is as brutal as anything labels like Touch & Go Records released at their Continue Reading
JIM – Falling That You Know
Considering how bad Top 40 music is, I never listen to the radio unless I’m subjected to such torture when I visit a mall or other public place of business. Because I was doing some late night work related to China, I figured I would take a look at a Continue Reading
Curve – Blindfold EP – Bootleg EP Series 1 & Chinese Burn – Bootleg Series Vol 2
There’s not a lot more to say about the legendary Curve that I could add to, save for most of the 1990s, they were among the best shoegaze bands, and it could be said that maybe only My Bloody Valentine were more highly esteemed, yet the members never seemed to Continue Reading
Suzanne Belaubre – (DIY)
Record label and magazine La Souterraine offer the best indie music coming out of France these days. Their latest release by Suzanne Belaubre is bound to be a cold wave masterpiece. The tracks are short and the production is excellent, if sparse. That sparseness works well with the music, and Continue Reading
Lorelle Meets The Obsolete – De Facto
I would never have come across Lorelle Meets The Obsolete, a Guadalajara, Mexico-based band without the help of my new friend, Ali, whose taste in music is absolutely impeccable. There is something wonderfully retro about the band, who reference a lot of bands like the Cocteau Twins, My Bloody Valentine, Continue Reading
κτίρια τη νύχτα – ΣΧΕΔΙΟ ΠΟΛΗΣ
κτίρια τη νύχτα (Buildings At Night) release an album of mostly instrumental music, though vocals peek through now and then, complementing the shower of guitars that mixes shoegazer, lo-fi, and, believe it or not, a touch of the 4AD Records sound. It’s a subdued, dark album, maybe not something I Continue Reading