• Music

    Samo Salamon, Emanuele Parrini & Vasco Trilla – Eating Poetry

    July 19, 2023 - By 

    Another dear friend of the blog, Samo Salamon from Slovenia, brings along a few friends for a well-done, gorgeously recorded improvisational album.  Joining Salamon on this disc are Emanuele Parrini on violin and Vasco Trilla on drums and percussion.  From Samo’s Bandcamp site: “A great improvising trio session of three fantastic improvisers from three different European countries. Samo Salamon (Slovenia) has this time played exclusively acoustic guitars – 6 and 12-string string. Especially the 12-string guitar is a hugely underrated instrument in the improvising context. Naturally, names such as Ralph Towner or Marc Ducret come to mind, but still Salamon…

  • Music

    Florian Arbenz, Hermon Mehari, Nelson Veras – Conversation #1: Condensed

    August 27, 2021 - By 

    Swiss drummer and percussionist Florian Arbenz was featured on our previous website, A Miscellany of Tasteful Music, some time in 2020 on a record he did with American saxophonist Greg Osby.  This album is equally as engaging. This slightly unusual line up of guitar, trumpet & drums might, at first glance, miss a bass instrument. But despite the challenges, the creativity of the musicians involved, as well as Florian’s addition of custom percussion instruments covering this range, make for a fascinating listen which moves from hard-swinging soloing to dreaming soundscapes. Imagine making an album which swings, yet has no bass…

  • Music

    Ikuro Takahashi – しりえないものとずっと

    June 17, 2021 - By 

    An’archives, a French experimental music record label, has released しりえないものとずっと (Forever With The Incomprehensible) by legendary drummer and percussionist Ikuro Takahashi.  Takahashi has worked with the likes of Keiji Haino’s power-trio Fushitsusha, Seishokki, High Rise, Ché-Shizu, Maher Shalal Hash Baz, Kousokuya, LSD March and Nagisa Ni Te.  This kind of pedigree is unmatched in the Japanese improvisational music scene.  The album is volcanic in its power, full of thundering percussion which would equal, and in some parts surpass, many percussion based free-jazz albums.