Drummer and percussionist Joseph Benzola is amazing at his craft, but composer Dave Seidel adds to Joe’s playing by stretching the sounds without distorting their energy.
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This release, by No Part Of It Records, is a fine label putting out quality discs, and this archival album combines Dan Burke of Illusion of Safety and Z’ev, two of America’s foremost Industrial musicians. From the label’s Bandcamp site: “What we have here is a potent cocktail of scrap metal, processed field recordings, modular synthesis, and plenty of aptly placed intermittent percussive clatter. The overall impression I’m left with is a very calculated sound collage that still feels like the sonic equivalent of a deep epiphany, or maybe a catalyst for one. What seems like a casual interweaving of…
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Imagine having a resume working with the following acts: James Brown, The Beatles, Jeff Beck, Hummingbird, Steely Dan, Aretha Franklin,Gil Scott-Heron, King Curtis, The Rolling Stones, Miles Davis, Dizzy Gillespie, Randy Brecker, Quincy Jones, Hall & Oates, Isaac Hayes, Cat Stevens, Hair and Larry Coryell among so many others. Bernard “Pretty” Purdie is something akin to an institution in modern drumming. This album, reissued by Prestige Records, is one of his more mellow jazz excursions. The sound is meaty, and it shows off a pleasant finesse he has with percussion. His touch is about as golden as it gets as…
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An’archives, a French experimental music record label, has released しりえないものとずっと (Forever With The Incomprehensible) by legendary drummer and percussionist Ikuro Takahashi. Takahashi has worked with the likes of Keiji Haino’s power-trio Fushitsusha, Seishokki, High Rise, Ché-Shizu, Maher Shalal Hash Baz, Kousokuya, LSD March and Nagisa Ni Te. This kind of pedigree is unmatched in the Japanese improvisational music scene. The album is volcanic in its power, full of thundering percussion which would equal, and in some parts surpass, many percussion based free-jazz albums.
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I cannot think of any genre of music percussionist and composer Joseph Benzola doesn’t sound comfortable working in. There might be some bizarre concoction lying dormant in the underground somewhere, but it’s not worth wasting one’s time thinking much about. This collection puts together what sounds something similar to Balinese percussion on the first track, Improv 24 November 2019, and then smoothly transitions to atonal piano music, then some improvisational music, and so on. The variation of styles, and how well everything meshes together, is impressive. Hints of Alban Berg, Sun Ra, jazz played at a bar over a scotch…