Azure are a post-rock band out of Aviles, Spain, who produce an atmospheric instrumental vibe on this EP. It has a familiar sound to those who like a bit of metal inside of their post-rock, so it’s a worthwhile pickup. Also, for those of you who love using Bandcamp, this release is free, so it’s most certainly worth sampling.
It’s so good to see the inestimable Buda Musique take the modern route and make some of the treasures of their back catalog accessible, not only digitally, but on fine vinyl and CD editions. This compilation brings together a collection of artists from the towns of Mombasa and Tanga, in Kenya and Tanzania respectively, highlighting the genre of taarab. The genre is influenced by Taarab is influenced by the musical traditions of the African Great Lakes, North Africa, the Middle East and the Indian subcontinent. Over at the label’s Bandcamp site, there is a brief history of the genre and…
From Discogs.com and Light In The Attic Records: The Bayan Mongol Variety Group existed from the early ’70s to the late ’80s. After the collapse of the USSR, the ensemble began to experience serious difficulties with funding and booking concerts, and finally disintegrated, after which the participants lost contact with each other. Fortunately, thanks to efforts from the fans, some old contacts were reestablished, key records and sound sources were dug up, and now this historical record is released again. File under funk, jazz-rock, prog rock, or psychedelic rock. Reissued in cooperation with the band.
Welcome to the first proper release promotion of 2022, and it’s quite a lovely way to begin the year. Blackford Hill is a record company out of Edinburgh, Scotland, and they offer up a compilation of ethereal independent music from bands like Ultramarine, Emily Scott, Kate Carr, Jake Tilson and a host of others, providing 31 tracks. From the Blackford Hill Bandcamp site: The prospect from Blackford Hill is wide-ranging and far-reaching. This recently established label, curated by designer/publisher Simon Lewin, is based in Edinburgh and shares its name with a prominent topographical feature of that city. This compilation, ‘Transmissions…
As we have but one day left in the calendar, we bud you adieu with the legendary French cold wave band Clair Obscur doing Robert Burns proud.
Unexplained Sounds Group has had another stellar year releasing ambient, experimental and post-Industrial music from around the world in 2021. We had the pleasure of reviewing their mid-year compilation on July 28, and now that the year is complete, USG end the year by giving us 35 tracks from artists like Gintas K, Aidan Baker, Echoflex and a cast of many.
Jagath is a field-recorded ritual ambient act from Perm, Russia who use handmade instruments, scraps and metal to make their dark, dank industrial sounds. As quoted from their Bandcamp site, “We do this to share our vision of decaying postindustrial age, to unleash the spirit of deep beyond-world and unveil life in the abyss.”
I trust you, my friends, had a lovely Gregorian-Calendar Boxing Day. I spent mine listening to a Lebanese experimental band called Alif. At least as the liner notes on their Bandcamp site explain, it looks to be a collaboration between Lebanese and Egyptian musicians, and features the talents of the following musicians: Khyam Allami (Oud) Tamer Abu Ghazaleh (Vocals/Buzuq) Bashar Farran (Bass) Maurice Louca (Keys/Electronics) Khaled Yassine (Drums/Percussion) The music is so rich and complex that I’m having a bit of trouble putting to words how to describe it, but the best crack I can give at the moment is…
Sufjan Stevens released this album in 2006, and it manages to hold up well. He does a fine job interpreting classic Christmas tunes that are charming, sometimes irreverent and silly, but it makes a fine listen as we prepare for the coming of the Savior of the Universe this snowy evening.
As we near the close of a challenging 2021, we’re graced with a release by composer Jeff Gburek which features a rebab, a spiked fiddle. It’s an instrument he studied in Indonesia under Pak Suhardi, blended with synthesizers and electronic bloops and bleeps which left me feeling like I was listening to some remarkable sound experiments out of the old BBC Radiophonic Workshop. Jeff mentions below that there is no tradition of rebab-playing in Western electronic music, so he should be congratulated on consistently breaking new ground in this release. From his Bandcamp site: There aren’t many traditional compositions (if…