It’s not often that we get to present to you a band from Guyana! From the Yoruba Singers’ Bandcamp site: “Having remained continuously active since 1971, the Yoruba Singers are the longest-running musical group in Guyana. Emerging from a music scene mostly dominated by slick, commercial entertainment, the Yoruba Singers brought a new dimension to Guyana popular music, cooking up a potent stew of afrocentric vibes, steeped in a committed invocation of the country’s African heritage. The group’s magnum opus is the 1981 album Fighting for Survival. The album sums up the group’s first decade of operation, serving up a…
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“The Last American Poet” Shane Beck collaborates with Japanese experimental composer mora-tau for an album of spoken-word-laden soundscapes.
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This is perhaps the most remarkable psychedelic rock release of the past year. Up until a few days ago, I had no idea who The Black Flamingo were, and now, 5 or 6 plays later, they have me curious about their heavy back catalog.
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From Remix-Culture‘s Bandcamp site: “Recorded live in May of 2017 by Hatim Belyamani and Bajram “Kafu” Kinolli in Çorovodë, Albania. We are a non-profit organization celebrating musical traditions in harmony with digital remix art. Our mission is to inspire people to reconfigure their relationships with other cultures, communities, and individuals, through film and musical experiences, both live and virtual. Otherwise we are lost.“ It seems like a noble effort by Remix-Culture. I look forward to hearing more from them.
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sirr-ecords is Portugal’s preeminent experimental music label, and this compilation covers some of the artists who work with them. Each of the artists provide a track based on weather, and the notes over at the album’s Bandcamp site are very much worth reading.
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Agnivolok and Necromishka are two Israeli neofolk bands who remind me not only of obvious modern bands like Death in June, but have a sound similar to the legendary American ur-neofolk band Changes. Stunning, mellow, folksy and dark.
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Our friend Cousin Silas and his cohort Michael Brückner offer a relaxed ambient two-disc album album which floats between fusion and the Berlin School.
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The loops Richard Pinhas (once leader of the legendary Heldon) are in full force, but this has a more beat-laden flavor to it. It’s spacious, relatively heavy in parts, but a really pleasant listen besides.
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Gold has made an appearance on the blog before and left a great impression, reminding me that noise can still be a valuable genre. His latest release is more wall-of-feedback sound, but rather than something horrid and abrasive, this has a more natural feel to it, like an immense wave of water crashing down on rocks. Powerful, but with an organic element to it that I appreciate.
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From Sahel Sounds’ promo sheet, and this is an album worth waiting for!: “Etran de L’Aïr the STARS OF THE AÏR, the longest running wedding band in AGADEZ, capital of Tuareg guitar, return with a new album of sun-schlazed desert sound! Their first album, No.1, brought their music to critics and fans. Their second album, Agadez, sent them into the international touring circuit. And now they’re back with 100% SAHARA GUITAR, ready to take on the world, with those swinging melodies, like a sandstorm blowing in from across the sea. Etran de L’Aïr are 100% SAHARA, and that goes same…