• Music

    FRKTL – Prose Edda

    February 15, 2022 - By 

    FRKTL is the nom de plume of British-Egyptian composer Sarah Badr, and her work straddles so many genres that it’s quite hard to describe accurately (a wonderful thing, as it means her work is incredibly fresh-sounding). There are, of course, long, drone-y elements to the music, but once you go into tracks 3 and 4 (Hverfa af himni heiðar stjörnur and Hart er með hölðum, respectively, you start hearing elements of techno (!), bleak synthetic choruses sounding like the angels reciting the liturgy over the bowels of Hades (or, in this case, Hel, in order to maintain a proper cosmology). …

  • Music

    Dragon & Jettenbach – Tales from the Algorithm

    February 2, 2022 - By 

    This is so pleasantly dark and focused that I don’t think calling it ambient would do it justice.  Dragon & Jettenbach are a project out of the United Kingdom who produce a sound that, while bleak, is also musically organized, reminding me of some of the modern Berlin School electronic artists of the 1980s, mixed with a vibe one would have heard from post-Industrial music on cassette during the same time period.  As this is the period where I was reared on great music, it brings a sense of nostalgia to me, and I feel that, for those between 40…

  • Music

    Chris Conway – When Pianos Dream

    February 1, 2022 - By 

    Though his bio on Bandcamp calls him a superlative jazz pianist, I would have to add that Chris Conway handles modern classical music with as much aplomb.  He has also worked with some stellar musicians, including Guy Barker, Andy Sheppard, Stan Sulzman, Martin Speake and the legendary Finnish sax player Sakari Kukko (leader of Piirpauke) amongst others. This album, released today, I believe, is a collection of improvisations and ambient electronic music he gathered while working with the United Isolation Ensemble, of which he is a member.  How ECM Records hasn’t signed such a prodigious talent is beyond me, but…

  • Music

    Various Artists – Tape Rolling! with Bunny Lee and Friends

    January 27, 2022 - By 

    England’s Pressure Sounds continue to release mind-blowingly good reggae compilations.  This one features the production work of Bunny Lee pairing up with such luminaries as Eric Donaldson (whose raw version of Cherry Oh Baby adds grit to the warmly produced original. From the Bandcamp release website: “In 1971, despite his run of hits, Bunny Lee was still having to support himself with freelance producing at Dynamic Sounds, but by 1974 he was fully independent and poised to dominate Jamaican music in the mid 70’s. The tracks on this compilation capture that moment of transition, when the smaller ghetto producers were…

  • Music

    The York Waits & Deborah Catterall – Christmas Musicke

    December 22, 2021 - By 

    The York Waits are a group out of York, England (no surprise there, right?), who specialize in Renaissance music from the 14th Century.  This album is a reissue of a 1996 album where they paired with vocalist Deborah Catterall, who, 25 years after the release of this disc, served as Choral Director at Higham Hall, Cumbria and Voice Teacher at the Royal Northern College of Music before embarking on a private career.  The music is not badly recorded – perhaps a bit compressed for choral music, and not as bright as it could be, but otherwise, the tunes are well-played…

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    The Scorpios – Let’s Go

    November 27, 2021 - By 

    The Scorpios are a Sudanese/British Afrobeat band with an incredible pedigree.  Regia Ishag, the band’s singer, is the daughter of the guitarist of one of Sudan’s funkiest bands, The Scorpions (obviously not the German hard-rock band bearing the same name). This new generation band maintains the funkiness of their forefathers and adds jazz, more funk and a more general Afrobeat element to the music.  It’s rapturous and made for the dance floor or the wedding ceremony equally.

  • Music

    Rosie Turton – Expansions and Transformations: Part I & II

    November 17, 2021 - By 

    Rosie Turton came to my attention a while ago with her EP Rosie’s 5ive, which served as a stellar introduction to her work, but this latest album shows how incredibly expressive a trombone-led band can be.  So many players in London’s Nu-Jazz scene are leaving a mark that there will probably come a day when bands like Rosie’s and others operating today will be referenced in the same way fusion bands of the 1970s are. Truly expansive, a full sound, and utterly engaging.  What a fine sophomore release.

  • Music

    D^mselfly – DF​/​C30​-​RW

    November 4, 2021 - By 

    From Hreám Recordings‘ website: Originally released as a double-header with St James Infirmary’s ‘Apport’, here now on it’s own and sporting a batch of new jelly-green shelled and cased cassettes…. DF/C30-RW features six re-imagined and re-worked tracks from the first three Damselfly albums. Focussing on some of his more delicate arrangements, Damselfly’s 2020 versions breathe new life into the original soundscapes, where neoclassical meets ambient drone to serve you up an alternative sonic taste of his beloved home county of Sussex. I have to say that this release by D^mselfly is one of the most pleasant ambient discoveries I’ve come…

  • Music

    Various Artists – Wounds of Love: Khmer Oldies, Vol. 2

    November 1, 2021 - By 

    Death Is Not The End is a profoundly interesting record label (and radio program on NTS) operating out of London, and how they find such oddball gems like this I’ll never understand. What is clear, though, is that the Khmer music scene really got into music from France (from colonial connections, the United States and the United Kingdom, but also imported genres like bolero from Latin America.  The Khmer language seems to be perfectly adaptable to the quirks of Western Music, and these covers hold their own rather well. A final note – the cover shows a Khmer beauty with…

  • Music

    Flora Yin-Wong – Holy Palm

    October 20, 2021 - By 

    After coming across an interview over at The Quietus with the London based composer Flora Yin-Wong, I wasn’t quite sure of what to make of her work.  The new album they discussed, Holy Palm sounded fascinating, less so by the interviewer’s rather tepid questions but more so by the evocative answers Flora was giving.  I cannot say that she is or isn’t a religious woman (though as a rationalist, perhaps she would enjoy the works of the Cappadocians), but her fascination with sacred spaces adds something interesting to this album, where drone, field recordings, and a warm take on something…