• Music

    William Ryan Fritch – Polarity

    Welcome to 2023!  We start the year by sharing a release due on January 13 by American composer William Ryan Fritch, who has been previously featured on the blog before.  From his label, Lost Tribe Sound’s Bandcamp site: “‘Polarity’ is the first in a three album series reflecting on the many calamitous water crises affecting life on this planet. Fifty percent of the sales for the three album series will be donated to communities that are at the front line of these crises, in perpetuity. Much of the sound of Polarity was inspired by experiments in “real world-ing” various synthesized…

  • Music

    Pete Swinton – The Book Of Chuang-Tzu, Ch. 18

    Zhuang Zhou is the pinyin transliteration of Chuang Tzu, the Chinese taoist philospher who lived some time during the 4th century B.C. during the Warring States Period, and was part of a movement where Chinese philosophy enjoyed an explosive period of development.  He is the subject of the album being reviewed, and it’s nice to have composer Pete Swinton bring his name up after such a long absence. Why he is mentioned in relation to the music is a mystery, as the first six tracks, according to Swinton himself, are meant to imitate insect sounds.  After a deep listening, I…

  • Music

    Heelhooks – Oh Man What a Dream

    We have an unsolicited gem today, folks!  This live EP by Heelhooks clocks in at around 15 minutes, and the music is aggressive laptop sound deconstruction put together by the London-based duo of Hans Lo (Unk) and Rob Shields (Sunplus).  The lads describe their sound way better than I can: “Initially starting as a pure noise project, Shields and Lo instead decided to change their approach in 2021 with a cleaner, sharper production using modular synthesis and realtime laptop processing. With a blend of scattered drums, deconstructed dance genres like deep house and techno, and samples ranging from body horror…

  • Music

    Diana Hayes/Andy Meyers – Deeper Into The Forest

    Andy Meyers is the former guitarist of Toronoto art-punk legends The Scenics.  He’s gone off to do more exploratory work after moving to the Vancouver area, and this, his latest work, is a collection of soundscapes set to the poetry and vocals of fellow Canadians Diana Hayes and Susheela Dawne. From the release’s Bandcamp website: Composer/producer Andy Meyers was co-recipient of Canada Council Grants to score two CDs of spoken word with award winning poet Brian Brett. (“an often unsettling meld of orphan sounds and menacing undercurrents, and an offbeat celebration of those old staples: love, experience, sex and death.”…

  • Music

    ‘t Geruis – Slow Dance on Moss Beds

    Our dear friends at Lost Tribe Sound start the year with two powerful releases, though I’ll concentrate on one today (with the other in the next week or so).  This one is by Belgian composer ‘t Geruis (a rather unusual name, which, in Dutch, means “The Noise” or “The Murmur“).  The album, at least the four rather remarkable tracks available to hear, have a grainy, organic quality to the loops which build and collapse in a still-life manner.  The music has more in common with graphic art or experimental film than it does with cold, staid experimental music.  Quite an…

  • Music

    Alejandra and Aeron – España 1998​-​2004

    Alejandra Salinas and Aeron Bergman have been working together as sound and multimedia artists since at least 1997, and perhaps farther back, though their prodigious corpus vitae isn’t so clear on when, exactly, they began recording together.  One can surmise that they have been collaborating on CD since 1998, if this compilation is anything to go by. What do we find from their oeuvre?  Electroacoustic music that has a hazy, dreamlike quality to it.  There are gentle rumblings, drones and bits of electronic music that have a nearly magical quality to them.  It’s pleasant music with which to daydream –…

  • Music

    Yann Novak – Bathed In Light And Rapture

    We’re lucky to have so many talented musicians and composers in Los Angeles covering all genres.  One of the most intriguing I’ve come across lately is Yann Novak, who hails from Wisconsin originally, but who is, like myself, a Southern Californian.  Yann has recorded with labels such as 901 Editions, Dragon’s Eye Recordings (which I believe may be his own label), LINE, Room40, and Touch, among others. His credentials are impeccable. This release on Room40 (all praise to Lawrence English for running a fine imprint) has as its cornerstone the composition The Ecstasy of Annihilation, which is 7:30 in length. …

  • Music

    William Ryan Fritch – Built Upon a Fearful Void

    Soundtrack composers don’t seem to need films to cue inspiring, haunting scores anymore.  Take, for example, the new double album by Californian composer William Ryan Fritch. The story that goes along with this fabulous artifact is as impressive as the music is.  We let the label, Lost Tribe Sounds, tell the story below, courtesy of their Bandcamp site: ‘Built Upon a Fearful Void‘ was an album seemingly fated to never be completed. For the last 8 years the album had been recorded and either lost or discarded three times; a leak that water logged and ruined most of the half…

  • Music

    JOHN 3:16 – Yoldath Aloho

    I have to catch up and see what has been going on with our friends at Alrealon Music.  This release is two tracks of a horrifying soundscape that conjures up images of characters like Pinhead from the classic horror movie Hellraiser.  Though the movie had no effect on me (I grew up watching far better horror movies from Spain and Italy), the music JOHN 3:16 (perhaps my favorite, and certainly the most hopeful, verse in the Bible) conjures up left me feeling slightly uneasy.  Disturbingly enjoyable.

  • Music

    Jeff Gburek – Diaphragmata

    This release allows me to kill two birds with one stone.  First, it’s been a while since we’ve had a chance to review music by Jeff Gburek (one of the several venerable composers who always manage to find a welcome home on these pages), and this is a strikingly quiet and meditative album.  Second, I have sampled some of the wares of Muteant Sounds, a fine experimental label out of Florida in the United States, but I believe this might be the first album from that label I’ve had the change to listen to in full. Jeff explains the concept…