George Mukabi was a giant of a man who brought music styles from all over East Africa, specifically Malawi, into his oeuvre, making a sound that was unique among African guitarists. This is a digital reissue which first turned up on Mississippi Records some years back, and is currently being published by Olvido Records. I don’t know if the labels are related, but the sound is crisp and the music is joyful.
Mississippi Records released a collection of field recordings covering local music from Yogyakarta, Indonesia. These were recorded between November 1976 and January 1978.
Mississippi Records has unearthed an Ethiopian gem from the middle 1970s. From their Bandcamp site:
“On this 1976 gem of a record, Aselefech Ashine and Getenesh Kebret’s voices intertwine in close harmony, the two “beauties” singing in duet across 10 gorgeous tracks. The Army Band, which backed greats like Tlahoun Gesesse and Mahmoud Ahmed, brings Mulatu-esque minor-key piano runs, interlocking percussion, and rock-steady basslines. Arranger Teshome Sisay’s flute winds through the compositions, tying together gloriously woozy horns. The greatest elements of Ethiopia’s Golden Age combine here, in one of the final records of the era.
Aselefech and Getenesh were raised in the bustling cosmopolitan world of late-empire Addis Ababa. They met at the Hager Fikr Theatre, the legendary center for art and cultural learning in Addis, where they were trained in centuries-old vocal techniques as well as acting.”
This is our second African gem this week, following the marvelously brutal release by Kenya’s Duma. This release by the late S.E. Rogie is a more relaxed, bluesy highlife affair from Sierra Leone. According to the Mississippi Records Bandcamp website, Rogie, “…went from running a tailor shop in Sierra Leone to being one of West Africa’s most popular artists. He toured around the country, singing his palm wine music in multiple local languages, created his own record label, and was known as the most handsome man in Sierra Leone. He formed the highlife band The Morningstars in 1965. In 1973, he came to the Bay Area to live and expand his base, performing everywhere from local high schools and convalescent homes to festivals and large stages. In his later life he hit the road again and toured the world, eventually passing away while on stage in Russia in 1994.”
Much respect to Mississippi Records out of Chicago, Illinois for releasing this magnificent artifact!
The back story is explained in great detail on the label’s Bandcamp site:
Marika “Politissa” Frantzeskopoulou was a Greek singer from Constantinople, reknowned for her precise, fluid and graceful performances and depth of feeling. Backed by some of the best musicians of the era on lyra, violin, oud, kanonaki and guitar, Marika’s repertoire and techniques drew from Byzantine and Ottoman musical traditions. She possessed an ability to devastate her audience through her expressions of grief, exile, and tragic love, running the gamut of cafe aman, torch songs, lilting and fragile odes to heartache, heavy Piraeus style rebetika, and ecstatic Near-Eastern climaxes, all with a visceral sense of atmosphere, emotion, and fatalism. Marika’s voice is complimented beautifully by her backing musicians, creating a pulsing acoustic foundation over which her voice soars with clarity and purpose.
The heritage of Constantinople’s vibrant music scene is lovingly captured on this download (sadly, the vinyl edition has long been sold out).