Kara Jackson certainly knows how to leave a strong impression! If you can imagine Nick Drake’s guitar being willed to Nina Simone with a touch of the spirit of David Bowie (see the track brain for reference), then you have this incredibly powerful album. I had no idea what to expect when I saw the cover art, but this is one of those albums I’m very happy to have taken a chance on, as the listening was rewarding.
As we near the year’s end, I wish to thank my friend who goes by the name of Corvus who turned my on this group from the Czech Republic called Kalle. They sound like a mashup of post-rock, Celtic or even folk-rock and alternative music, but still managing to sound fresh. The female vocals are solid and inviting, and the music sounds crisp and well-recorded. Quite nice!
I would have expected an album like this to come from England, the Netherlands or even somewhere in the Scandinavian realm, but to think that such a wonderfully played (and sung – in English!) album comes from Verona, Italy, of all places, shows that Galaverna are true students of such amazing bands as Tudor Lodge, The Trees or Kebnekajse. This is progressive folk which looks back fondly to the masters of the genre and builds on their work.
Sdban Records, a magnificent Belgian imprint I came across recently, is releasing some absolute bangers in the field of jazz, library music and funk. This particular album, which has its roots in Morocco’s hardly-ever-discussed funk scene, was first available as a cassette in 1978 on Disques Gam.
The reissue is lovingly done with crisp cover art, but the music is what wows me. This isn’t merely a funk album. There are tracks here, like My Story With Mrs. Life, are beefy rock tracks with gritty vocals you know you loved hearing on AM radio in the 70s. Another gem, Love Letters, has an air of British folk-rock from the late 60s, but the bass lines betray their funky roots. Elegant, powerful music, and a great introduction to Sdban Records‘ back catalogue.
From Discogs.com and Light In The Attic Records:
The Bayan Mongol Variety Group existed from the early ’70s to the late ’80s. After the collapse of the USSR, the ensemble began to experience serious difficulties with funding and booking concerts, and finally disintegrated, after which the participants lost contact with each other. Fortunately, thanks to efforts from the fans, some old contacts were reestablished, key records and sound sources were dug up, and now this historical record is released again. File under funk, jazz-rock, prog rock, or psychedelic rock. Reissued in cooperation with the band.
I’ve read over the years about Botswana having a very interesting metal scene, but I knew nothing about the local music. This might not be the purest form of regional music, but this disc by Duncan Senyatso (may his memory be eternal) and the Kgwanyape Band is pretty catchy and infectious.
There is a lot of horn work on this disc, and one can hear influences from South African music, and more pop-related artists like Paul Simon and others who were delving into ‘World Music’ during the late 1980s and early 1990s. Pleasant.
It is my great honor to present the first featured release of the blog. This album comes to us from Ulaanbaatar, Mongolia. It is not what you would expect from the country, as most marketing of music shows Mongol folkloric culture melded together with everything from heavy metal to rap, most of it working well, but also letting off an air of cod exotica. This release by Magnolian is radically different from what most of their countrymen are producing. This is more of a breezy folk-rock touched gently with post-rock, a combination that works surprisingly well. The vocals and lyrics are sophisticated, and if you didn’t pay attention to the band’s hometown information, the release could have come from a place like Ohio or Indiana. Quite a sublime release, and a good album to launch with.