György Kurtág – Signs, Games and Messages (mode230)

Yesterday, I had the pleasure of going out to the picturesque town of Szentendre, about 35 minutes outside of Budapest, with my girlfriend and some fine old friends.  I expected a nice trip, and instead, we not only have that but we were treated to seeing several galleries, bookstores, and Continue Reading

Duke Ellington – Such Sweet Thunder

Duke Ellington’s Shakespearian masterpiece, Such Sweet Thunder, is the first album I bought for its typography alone.  I had heard older releases by him, had classic discs like Money Jungle, but this album caught my eye because I had had a deep interest in typography around 1994-1995.  The text on Continue Reading

Vadim Neselovskyi – Odesa: A Musical Walk Through a Legendary City

Odessa is a city that both Ukraine and Russia, as well as its many Jewish and even Tatar inhabitants, claim to be its own.  Never mind the political hideousness of today, and let me present you with one of the most fascinating releases I’ve heard in contemporary classical and jazz Continue Reading

Reinier van Houdt – drift nowhere past / the adventure of sleep

Going through Twitter contacts on my account (which will be changed soon, as I want an account that will only concentrate on music and not any other of my pursuits), I came across the name of a label whose work always left me impressed, but whom I had forgotten about, Continue Reading

Dirk Fock (composer), Irene Maessen, Mattijs van de Woerd, Maurice Lammerts van Bueren – Songs and Sketches

Dirk Fock was a Dutch-American pianist with a very interesting musical history, including working with Richard Strauss.  From the Bandcamp site: Dirk Fock (1886-1973) In 1945 the Dutch-born conductor and composer Dirk Fock (also: Foch) became an American citizen. Before that – during the interwar years – he conducted many Continue Reading

Adrian Copeland – If This Were My Body

Sublime.  There’s no other word for it.  If you enjoy modern classical music, especially by composers like Gorecki, Ligeti or Penderecki, Canadian composer Adrian Copeland has something here which will appeal to you, with long, mournful drones, sparse instrumentation, and a rough, melancholic feel to the tracks.  Track 4, Heir Continue Reading