Robert Scott Thompson – Ice and Ember

Blog friend and fine American composer Robert Scott Thompson offers his latest release, one which would qualify as a Mimi-album or EP, but which sounds deeply calming and engaging. From his Bandcamp site: “Ice and Ember is a distilled meditation within my larger body of ambient and electroacoustic work—a 14-minute Continue Reading

Federico Durand – Té De Flores Silvestres

From Federico Durand’s Bandcamp site” “Federico Durand’s music is a weave of sound searching introspection and delight through simple melodies, made in the heart of Argentina. Federico likes music, gardens, John Keats’ poetry, collecting stamps and Earl Grey tea. Since 2010 he has been released on some labels such as Continue Reading

Philippe Petit – The Acoustic Cornet, an hommage to Leonora Carrington

From our friends at Mahorka Records via their Bandcamp site: “Philippe Petit approaches (Leonora) Carrington’s text as one would approach a signal coming from another frequency. Fragments. Resonances. Distorted transmissions. The acoustic cornet becomes a metaphor for listening itself: an instrument that amplifies what society prefers to keep inaudible.”

Various Artists – Arborescence: Bouquet Sauvage

This compilation, curated by the composer Aborescence, includes several of the leading lights of ambient music, including Robert Rich, Rudy Adrian, Alio Die as well as newer names (at least to me) like Robert Davies and Roy Mattson.  From Arborescence’s Bandcamp site: “Bouquet Sauvage is a curated compilation comprised of Continue Reading

Francesca Marongiu – Still Forms in Air

Mexican record label Umor Rex has released an album by Italian composer Francesca Marongiu, which is heavily influenced by some spectacular Japanese New Age/Ambient releases from the mid-1980s. This was a wonderful time for ambient music in Japan, and Francesca captures the spirit perfectly while adding her own spin.

Alphaxone – ARCHIPENOM.II

From the Alphaxone Bandcamp site: “A continuation of fractured atmospheres, slow-moving tension, and submerged emotional weight. This chapter dives deeper into erosion, distance, and the quiet violence of time.” Iranian artists could use a hand at the moment, as do all good souls suffering in their war-torn homes.