Month: December 2023

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Thelonious Monk – Mønk

Thelonious Monk will need no introduction from my readers.  He is the quintessential jazz pianist, and this unreleased album comes from a 1963 Danish recording session.  It is Monk playing at his peak.  From the release’s Bandcamp site:

“Hot on the heels of Impulse’s recently unearthed Coltrane number one hit album comes another beauty from Jazz’s ‘Holy Trinity’. This is a previously unreleased, precious lost treasure from Monk’s most critically acclaimed line-up; Charlie Rouse on saxophone, John Ore on double bass, and Frankie Dunlop on drums. The music was recorded live in Copenhagen in 1963 at the peak of Monk’s career. A year later he was to feature on the cover of TIME magazine, one of only for 4 Jazz artists ever to do so.

The performance, a mixture of Monk originals and interpretations of standards, showcases Monk at his prime: full of avant-garde flair and wit, but always with a swinging feel that explains his title as the ‘High Priest of Bebop’.

The original tapes, saved from a skip and blessed with the approval of the Monk estate, have been faithfully restored, mastered and cut using Gearbox’s legendary all-analogue process.”

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Brion Gysin – Junk

Never, ever did I expect this artifact of Beat weirdness, cut-ups and free improv to get reissued, but then again, how many record labels are as brave in their choices as Wewantsounds is?

From the label’s Bandcamp site:

“Wewantsounds is delighted to reissue Brion Gysin’s cult avant funk album produced by Ramuntcho Matta in the early 80’s. The hugely influential Gysin who, with his friend William Burroughs, was revered by the likes of David Bowie, Brian Jones, Laurie Anderson, Genesis P-Orridge, is accompanied here by Matta – on his return from a two-year spell in New York – and French post punk stalwarts Yann Le Ker (from the group Modern Guy) and Frederic Cousseau (from Suicide Romeo) plus special guests including Don Cherry, Elli Medeiros, Lizzy Mercier Descloux, Caroline Loeb and Senegalese drummer Prosper Niang (Xalam). This is the first time the album is reissued, newly remastered from the original tapes. “

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Shūko No Omit – 秘密の回顧録 (Secret Memoir)

Ramble Records out of Australia have published a unique album here – one that should be seen as a modern psychedelic rock masterpiece.  From their Bandcamp site:

“Shūko No Omit, the name of the band, featuring Yonju Miyaoka on guitar and Vocals, his older brother Taiju Sugimori on bass and chorus,and his cousin Yuya Yamazaki on drums and chorus, is a mix of Japanese and english. Yonju told me he came across the word omit while reading an old English dictionary. Shuko (終古) is old Japanese. A word no longer used. One lost to time.

The characters 終 + 古mean end and old, but, he says, when put together, they mean something like “eternity, timelessness, from ancient to forever”; The の “No” character in the middle means of. Like omit of Forever.

…

As far as names as descriptors go, Shuko No Omit is pretty good. There is decay and damage in this music. And pain and sadness and the dangerous but essential fascination required as you stumble through that damage to the unknown whatever that lies ahead.


The music feels like it is on the edge. There is desperation that you hear from the opening moments. Most of the looseness comes from Yonju. The Rhythm is slow and steady. Yonju says there are many mistakes. The parts of it that people generally want to omit. It sounds to me like a raging fire. Blazing up one minute and smoldering the next. “

Heavy listening.

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Fabiano Do Nascimento – Mundo Solo

The indubitable Far Out Records have produced what might be my favorite record of 2023, a guitar album by Brazilian guitarist and fellow Los Angeleno Fabiano do Nascimiento.  I’ll let the label’s crack promo team describe this absolute beauty of a record below:

“Adopting Hermeto Pascoal’s concept of Universal Music, a rejection of nationalistic tendencies in order to express all of one’s musical influences all at once, Fabiano avoided leaning too heavily on any particular musical language, without denying his own musical roots.

After studying classical piano as a child, the Rio de Janeiro native discovered the guitar aged 10. Studying under his late uncle, Lucio Nascimento, he eventually left Brazil for LA, where he soon became an in-demand player for his distinct and authentic sound. He has since released seven albums under his own name and collaborated with renowned Brazilian artists including Arthur Verocai and Airto Moreira, as well as experimental US saxophonist Sam Gendel.

Mundo Solo (Do Nascimento’s eighth), was recorded in one take per track, with occasional overdubs and a few appearances from collaborators and friends Julien Canthelm (drums on Etude 1), Ajurinã Zwarg, (percussion on CPMV) and Gabe Noel (Bass on Curumim).

Fabiano Do Nascimento’s consummate mastery of his instrument has afforded him a freedom of expression few can claim. Blending the emotional with the elemental, Mundo Solo is a stunning snapshot of solitude and the beauty which can blossom within it.”

If you like Brazilian music and top-shelf reissues, do support our friends at Far Out!

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Pyroclastic – Life is an Illusion

Pyroclastic is the brainchild of former member of the Los Angeles Das Bunker Collective Ryant Takai, who was one of the few musicians promoting genres like Industrial Dance, Electronic Body Music and Power Noise.  From main member Ryant Takai’s Bandcamp site:

“The second coming album focuses on the continuing of Power Noise/Rhythmic Noise roots, pays tribute to Indigenous tribal rhythms of North America, and blends in a hybrid of Dark Techno vibes.
Ryant Takai is well versed in percussion and experiments in a diverse array of Bass kicks without sticking to any particular 909, 808, or any other typical digital drum instrumentation.

In this album you will find a variety of harsh electronic music productions of classic Rhythmic Noises from experiments, brutal/complicated drum patterns, horror themed and modern synthesizer soundscapes. Influences by Silent Hill 2 (video game), Dadaist styled samples from many sources both political and noise based. Randomly selected and arranged to bring a unique style in each track, Pyroclastic presents the latest in cutting edge harsh and dark electronics.”

A wonderful throwback to when Los Angeles was still producing radical music.