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Music

Oidopuaa Vladimir Oiun – Divine Music From Jail

A snippet from Oidopuaa Vladimir Oiun’s outsider release at his Bandcamp site:

“Oidupaa spent 33 years of his 55 years of life in prison – in fact, this album was recorded in prison. Oidupaa himself claimed that his conflicts with Soviet legislation were slander, which often happened with other Tuvan artists of that time.

During his imprisonment, Oidupaa Vladimir became a believer and glorified God through his songs, thereby creating an unprecedented combination of Tuvan throat singing and Christian tradition: “With all my voice, throughout the whole universe, I glorify you, my Heavenly Father – among distant people, among near people, through the channels mass media, through the TV screen, through a cassette recorder, in prisons and camps, I glorify your name, my Heavenly Father!”

Oidupaa’s style is pure freedom of creativity and self-expression. His style of unconventional performance of throat singing delights both professionals and musicologists, as well as the common listener. Often living on the road, he found listeners and admirers everywhere. Performing at train stations among crowds was his distinctive feature. In the early 90s, thanks to a caring fan from Japan, the artist gained some fame and gave concerts in Sweden and Switzerland. After returning from Switzerland he was arrested and imprisoned for 15 years. During this prison time, according to Oidupaa, he achieved true mastery. He claimed to have brought his music to total perfection, in a way that no one would be able to copy his style in the next hundred years. In prison his mastery in musical performance and immersion in faith and revelation of the spirit were fused. It was in prison where he recorded his nowadays iconic album.”

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Music

Atman – Personal Forest

Our dear friends at the Lollipoppe Shoppe have released a freakily good album out of 1990s Poland.  From the label’s Bandcamp site:

“Atman was an eco-activist collective, that released tape-only pastoral dwelling jams in the fine Polish-Jazz tradition… Hamered dulcimer and exotically tuned 12-string guitars among basket-loads of unknown sounds, since the 70’s! Personal Forest is the culmination of artistic and personal quest.”
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Music

Pelkkä Poutanen – Pyhä Veri Vuotaa

Finland’s Pelkkä Poutanen provide one of 2022’s best World Music albums, combining a wild combination of Scandinavian folk, drone, throat-singing and, if you can believe it, a very light touch of tango.

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Music

Yat-Kha – We Will Never Die

Albert Kuvezin (Альберт Кувезин) is a legend in the ethno-rock and World Music community.  He was one of the founders of the band Huun-Huur-Tu, which brought throat singing into prominence.  He went on to form his own band, Yat-Kha, who I came across in 1993.  He was managed to meld together traditional Tuvan music (the region in Russia close to Mongolia and not so terribly far from China) with post-punk and even country music.

On June 21, Yat-Kha’s latest album, We Will Never Die, is due for release as a download and will be available on CD and vinyl.

The grooves on this particular album lean more towards a post-punk sound.  Russia has a magnificent indie music tradition, but this sounds more influenced by British and German post-punk of the golden era, sometime between 1980-1985.  The vocals are vintage Kuvezin, as they are husky, raw.  This is one of the coolest releases of the year, and if you are fortunate enough to purchase this on CD, you will be happy to know there are two bonus tracks you’ll have that I don’t: Solitude by Black Sabbath and While My Guitar Gently Weeps by George Harrison.

Our dear friends at Lollipoppe Shoppe are owed big thanks for releasing this, and for continuing to blaze a trail since the early 1990s by introducing many new and interesting emerging East Asian rock music artists and experimenters.

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Music

Khara (ХАРА) – Mandragora (Мандрагора)

Khara is an Old Slavonic word meaning “the smile of God.”  Truly, God must have been smiling to allow such a weirdly joyful music to come together.  Mandragora brings together a bardic style of rock & roll infused with traditional music from their native Khakassia, whose native inhabitants share a lot of cultural affinities with the Kyrgyz people.  Other influences in this record include Tuvan throat-singing by Alexey Khovalyg, a talkbox expertly handled by band leader Alexander Medvedev, and Alexander Pakhtaev adding such as the morin khuur or horse-head fiddle common in this part of Russia and Central Asia.

This is pretty solid ethno-rock, and it’s particularly good to see Russia’s ethnic music scene beginning to thrive, as this is the place I started learning about what is commonly called ‘world music’ in my youth.  It’s high time I paid a visit to see such music performed with my own eyes again.

Special thanks to the good souls at Sketis Music for enlightening me to this release.