Fellow giromondo Jeff Gburek offers another incredibly profound album, balancing perfectly his own signature experimental sound touched with folk and blues, with the spirits of Robbie Basho and John Fahey once again coming along for the ride. For the influence behind this album, please consider taking the time to read his liner notes at the release page here.
We have a cause to celebrate here at the MYNTH office, as our friend, the erstwhile Bay Area guitarist Ernesto Diaz-Infante has released a new album on a label you will be hearing more about on this website. Ramble Records, an Australian label, is releasing some high quality guitar music, and has previously featured the American-Polish guitarist Jeff Gburek’s work. Ernesto’s album is more a drone-laden psychedelic trip of an album. There are lo-fi elements to it, a fair amount of minimal strumming, and the music simply sets brilliantly when heard through a decent set of headphones. No surprise from…
Out of sheer good luck, I came across a Chinese artist recently called tamiX. She has a large body of work, not only with music but in multimedia, and now, print. She has a Patreon site, so if this work suits you, consider supporting her work. From her bio on the release’s Bandcamp site: “tamiX, a professional artist of improvisational electronic live music and visual arts, refusing to perform with computer programs or software, specializes in unprepared visual creativity, and music performance with standalone gear to demonstrate physically natural effects as atmosphere changes likewise. As Buchla endorsed artist, with Buchla…
At least as I understand it, there is a magnificent label out of Greece, Defkaz, releasing some really fine free jazz and world music. This particular album features one name whose work I’m very familiar with – the Hungarian drummer Balázs Pándi, who is magnificent. After hearing him work with the trio of Giovanni di Domenico (fender rhodes), Gonçalo Almeida (bass) and Giotis Damianidis (guitar), you have the makings of a young European supergroup. Free, cinematic, and a joy to hear. Check out their website, and if you’re interested in hearing these gems, contact koufaelas [at] defkaz.com. He’ll get those…
Though this album is a decade old now, it’s so incredibly well-done that I thought it worth sharing if you like experimental music melded together with field recordings. Jeff Gburek’s sound art is organic and engaging, the recording was handled so masterfully that one gets the feeling of sitting in the locations listed on the liner notes as Jeff’s Bandcamp site.
ruò tán are China’s more organic answer to old post-Industrial/cassette-culture bands like Germany’s Cranioclast. The music is eerie, yet so utterly engaging. Probably the best reference to this music is for those of you who remember not only the aforementioned band but the early works of projects like O Yuki Conjugate out of Great Britain. Not at all music to meditate to, but it did make for engaging music to lay back to and simply absorb.
I can’t say I’ve ever had the pleasure of introducing Chihei Hatakeyama to my readers before, but he is a master of elegant sound design. These three compositions are based on his travel to Amami Oshima, north of Okinawa.
Great news, yet again, has been provided to us by our dear friends at Wewantsounds! From their Bandcamp site: “Wewantsounds is delighted to announce the first international reissue of Ayako Shinozaki’s hard to find LP “Music Now For Harp” released in 1974 by Nippon Columbia. The LP was released on the label’s cult “Master Sonic” series and features Shinozaki’s harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic ‘Heterodyne’ featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves.…
VIRUS2020 are a wonderfully freakish project out of Tunisia which manages to bring together soundtrack music, post-Industrial references and post-rock into a thoroughly weird and engaging stew. This is a fun headphone listen.
This is a curious release. Abandoned Toys manages to balance ethereal ambient music with symphonic progressive rock. A rather brilliant balance, indeed.