Thanks to one of my friends for turning me on to the works of Swiss bassist Mich Gerber. From his Bandcamp site: “Instrumental album with Andi Pupato (perc, drums), inspired by music that has been played during the blue hour concerts along shorelines. Mich Gerber plays the double bass as a lead instrument, layering tracks over tracks.”
From the legendary duo’s Bandcamp site: “We present this soulful 30 year reunion between two stalwarts of Ambient-Electronic music in its entirety, exactly as it occurred. Steve and Robert answered the urge for unification after a very long orbit and 40 year friendship, reuniting and engaging their collective creative process, fueled with decades of individual innovations, genre defining releases and worldwide concerts. Recorded live to a sold-out audience on December 5, 2023 at the Club Congress, Tucson Arizona. The set flowed through solo and duo passages, culminating in pieces from the classics Strata and Soma. The energy was electric throughout…
Our friend, the erstwhile lad known throughout Beijing and parts of Western Europe as The Drone Pilots, presents a fine podcast as we begin the wrapup process for 2024. As he so eloquently describes: “Ghazals are a poetic form consisting of rhyming couplets and a repeating refrain word or phrase, originating in 7th century Persia; though starting as poems, ghazals were adapted in Indian classical music to become a unique genre of semi-classical song, with lyrical couplets with musical accompaniment and rhythm. Trainspotters will relish the multiple samples of Peter Gabriel as a tribute to his Real World efforts to…
Castles In Space are a label whom I just stumbled into over the past few days, and I’m liking what I’m hearing from them a lot. This particular piece of hauntology comes from Jonathan Sharp, a composer who is, like me, a child of the 70’s. He split his time between Cumbria and London, and the music reflects his memories of those years long gone by.
Deena Abdelwahed is an artist and DJ who hails from Tunisia and cut her chops in the music in the capital of Tunis before relocating to Paris, France. Her sound is brutal, slow, mixing a nearly tribal Industrial sound with authentic music from her homeland. Brutiful, if I can beg your pardon and borrow this portmanteau to describe such heavy music.
Our friends at MuteAnt Records have released an utterly weird and wonderful new release. Jacques ‘n’ Their Box actually understand how to craft songs out of noise, making this album far more pleasant than most experimental music.
On December 1, the maestro will again collaborate with Arnold Kasar (whom he paired with on a Deutsche Grammophon release 5 years ago) on a new album of piano and electronics. Judging by the two tracks available for listening, this will be perfect winter music to meditate to. From the Bandcamp release site: “Five years after their first and critically-acclaimed collaborative work in the form of their full-length album “Einfluss” (Deutsche Grammophon), Roedelius & Arnold Kasar now release their second album “Zensibility” on the Berlin-based label 7K!. This new work encompasses eight collaboratively composed instrumental tracks, eight modern call-and-response pieces…
I’ve been in search of good minimal techno since the subject came up with a colleague’s student (he has access to several brilliant students, present and former, whom I hope to feature here in the future). Doing a bit of digging, this release by Priori and Al Wootton perked up my ears the most this evening. Dark, beaty, and incredibly good for headphone listening.
This is a rather glorious single pairing American DJ Earthtones with Ethiopian singer Etsegenet Mekonnen. From the release’s Bandcamp site: “Selam is a vision of peace. This collaboration between producer/DJ Earthtones and Ethiopian musician/vocalist Etsegenet Mekonnen features haunting vocals sung in Amharic. Analog & semi-modular synths combine with 909 drums and afrobeats percussion by Earthtones, to weave grooves for Etsegenet’s depth in songwriting, voice and soul. The main version has a dancehall bassline that calls one to movement, while the dub versions evoke mystery amidst long modulated leads + filtered pads.”
Our friends, the ever-amazing JOHN 3:16, come in with a track that clocks in at around 5 minutes and manages be blend cinematic ambiance with heavy tension. Quite a captivating listen.