I had the pleasure of watching Otomo Yoshihide perform live about 30 years ago in Los Angeles, and his turntable wizardry made me a lifelong fan.  It pleases me to see that labels are still carefully releasing his body of work, and this album is among my favorites.  The album is full of short snippets, records mixed together, sound samples layer one on top of the other, blended, stirred and shaken to make one of the best experimental music albums of the late 1990s.  A must for turntablists.