Fellow giromondo Jeff Gburek offers another incredibly profound album, balancing perfectly his own signature experimental sound touched with folk and blues, with the spirits of Robbie Basho and John Fahey once again coming along for the ride. For the influence behind this album, please consider taking the time to read his liner notes at the release page here.
We have a cause to celebrate here at the MYNTH office, as our friend, the erstwhile Bay Area guitarist Ernesto Diaz-Infante has released a new album on a label you will be hearing more about on this website. Ramble Records, an Australian label, is releasing some high quality guitar music, and has previously featured the American-Polish guitarist Jeff Gburek’s work. Ernesto’s album is more a drone-laden psychedelic trip of an album. There are lo-fi elements to it, a fair amount of minimal strumming, and the music simply sets brilliantly when heard through a decent set of headphones. No surprise from…
Though this disc was released in 2014, this long-forgotten soundtrack has the sound of something from the 1980s. Michał Urbaniak is, of course, in fine form here, and it’s good to see he’s releasing a lot of material, both new and archival, on Bandcamp.
A post-punk/ethereal gem has been bestowed upon us by our friends at Lost Tribe Sounds. Arrowounds tie together influences from bands like, “Can, Bark Psychosis, Young Gods, Slowdive, Durutti Column, Seefeel and much of early 4AD,” according to the band bio, but there is an element that makes this band something apart. Noise-rock, post-rock, and a more eerie feeling than their influences betray sets the band apart.
Finland’s Timmion Records has released Chicano-soul rocker Jonny Benavidez who provides a radio-friendly (for 1965) soul cut that sounds so authentic that it takes you back at least two generations, which seems to be a specialty for the record label.
There are two very short tracks on this release by They Came From Hell, one of the many fine side projects of composer Philippe Gerber, but the music is so oppressively dark are foreboding that it would make for stellar soundtrack music.
A fellow expat, Christian Locke (Magicien Blanc) has come up with one of the best prog rock albums I’ve heard in a while. There are some cues from French and Italian prog bands from the 1970s and 1980s, some influence of bands of the Berlin school and Goblin, and it sounds as fresh as anything coming out of 2023. Very well done!
There’s little I can add to my dear friend, the Last American Poet, Shane Beck, and heir to the Berlin-School throne, Michael Brückner, so I will let the gentlemen speak for themselves. You can read further at this release’s Bandcamp site: In what turned out to be a spontaneous burst of inspiration, poet / lyricist / spoken word artist Shane Beck and electronica composer Michael Brückner created this circle of five pieces together that are based as much around the mystical splendor of nature as on the vast inner landscape of human longing for eternal love, spiritual transcendence and integration of…
This is a curious release. Abandoned Toys manages to balance ethereal ambient music with symphonic progressive rock. A rather brilliant balance, indeed.
William Ryan Fritch’s lastest disc is the, “second in a three-part series reflecting on the many calamitous water crises affecting life on this planet.” Cohesion is a bit darker than the previous album, Polarity, but there is a more organic feel to it. From Fritch’s Bandcamp site: “In contrast to ‘Polarity,’ which was largely created by synthesized and electronic signals being transformed into acoustic phenomena. ‘Cohesion’ was constructed solely from acoustic instruments (baritone and alto saxophones, oboe, contrabass clarinet, bassoon, tuba, etc) mic’d and processed live to behave and sound like synthesized and/or sequenced sound sources. Using multiple contact mics,…