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Music

Various Artists – Canary Records: The Heart of a Mangas: Intersections of Popular Greek Theater & Rebetiko in Chicago & New York, 1923-29

The ever-brilliant Canary Records graces us with more Greek theater music and rebetiko.  From the release’s Bandcamp site:

The word “mangas” for instance is untranslatable into English but has remained central to the notion of rebetika. It is a word that indicates a man who does not aspire to middle-class values and knows something deep about how to operate in the world. It has been compared to a “dude” or a “hipster” in their old, early 20th century senses as someone with their own way of being, based on the hardness of life, created outside of societal norms. Some correlate it (accurately, I think) to the contemporary American usage of “gangsta,” just as it was correlated a generation ago to the 1930s usage of “apache” to describe a similar demimonde type in Paris in the 1930s. Spiv. Ruffneck. Motherfucker. Badass. There must be dozens of other possible context-dependent translations. On these old records, we see it translated into English as “hobo” and “bum,” indicating the anti-capitalist and pro-intoxicant lifestyles but with more dismissal and judgement. As an Anglophone, I will likely never have total access to the word in its fullness. It is interesting to notice that as it arose, in the ’20s, it didn’t come out of nowhere.

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Music

Marika Politissa – All Parts Dark

Much respect to Mississippi Records out of Chicago, Illinois for releasing this magnificent artifact!

The back story is explained in great detail on the label’s Bandcamp site:

Marika “Politissa” Frantzeskopoulou was a Greek singer from Constantinople, reknowned for her precise, fluid and graceful performances and depth of feeling. Backed by some of the best musicians of the era on lyra, violin, oud, kanonaki and guitar, Marika’s repertoire and techniques drew from Byzantine and Ottoman musical traditions. She possessed an ability to devastate her audience through her expressions of grief, exile, and tragic love, running the gamut of cafe aman, torch songs, lilting and fragile odes to heartache, heavy Piraeus style rebetika, and ecstatic Near-Eastern climaxes, all with a visceral sense of atmosphere, emotion, and fatalism. Marika’s voice is complimented beautifully by her backing musicians, creating a pulsing acoustic foundation over which her voice soars with clarity and purpose.

The heritage of Constantinople’s vibrant music scene is lovingly captured on this download (sadly, the vinyl edition has long been sold out).

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Music

Gadjo Dilo – Manouche de Grec

Imagine if Django Reinhardt and Vassilis Tsitsanis were to form a band together, combining the best elements of gypsy jazz and rebetiko.  This is what Gadjo Dilo offer.  The musicianship is superb, the recording is crisp, and these young Greek lads have a punchy, authentic sound that will get you grooving.

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Music

Brendan Perry – Songs of Disenchantment – Music from the Greek Underground

Dead Can Dance singer and multi-instrumentalist Brendan Perry is absolutely enamored with Greek culture, and it’s obvious because a lot of DCD’s work has an affinity towards it.  Perry is especially appreciative of rebetiko, the local variant of the blues in Greek culture.  This album is his paean to his adoration of rebetiko, and is perhaps the first time some of these ballads have been recorded in English.  This disc is a labor of love.