Upupayāma – Honesty Flowers

From the band’s Bandcamp site: “‘Mount Elephant’ is organic psychedelia at its finest. These are drifting, pastoral meditations rooted in the “joy and rhythms” of Eastern music and one of the most precious luxuries of our time: doing things slowly. Italian multi-instrumentalist Alessio Ferarri’s third Upupuyāma record and first on Continue Reading

Can – Düsseldorf 10/4/1973

From Reiffenvatter Repress’ Bandcamp site: “While Can’s UK shows were widely recorded (10 of the 20 shows from the 1973 UK tour were recorded and are available in various corners of the internet) – their German dates during this period aren’t as well documented. There is only one live recording Continue Reading

Departure Street – This Broken World

With a feel that sits between Kosmische Music dabbed with touches of psychedelic and apocalyptic folk, Departure Street has a new album that has me captivated at the moment.  Pure guitar bliss.  From the band’s Bandcamp site: “This Broken World is the 22nd full-length solo album by A J Kimmel Continue Reading

Kilbey Kennedy – Serafina (single)

From their Bandcamp site: “Kilbey Kennedy is the long-standing collaborative project between Steve Kilbey (The Church) and Martin Kennedy (composer and producer behind All India Radio). Since their first release in 2009, the duo has forged a singular sound – an “ultimate convergence of influences, that shimmers with a strange beauty Continue Reading

The Bevis Frond – Horrorful Heights

From The Bevis Frond’s Bandcamp site: “Horrorful Heights marks a formidable new chapter in The Bevis Frond’s deep and storied catalogue, showcasing the enduring creativity of songwriter, guitarist and frontman Nick Saloman as he moves into yet another decade of recording. Long established as one of the most distinctive voices Continue Reading

Muriel Grossmann – Plays the music of McCoy Tyner and Grateful Dead

From Muriel Grossman’s Bandcamp site: “On the surface, Tyner and the Dead appear to come from different galaxies. But listen deeply, and it becomes clear: they were orbiting the same planet. Tyner’s playing was all about shape. He built modal infrastructure—riffs and voicings sturdy enough to ground the music, malleable Continue Reading