Not the happiest record I have ever heard, but Philadelphia’s Moor Mother uses a sumptuous soundscape to air her grievances of past horrors. This is a deep listen, and I’m sure I’ll come back to this a few more times before all is said and done.
Afrofuturism
Nkom Bivoué – Zeun Ya Yop
This one came as an unsolicited pleasant surprise. I love Afrobeat and am slowly developing a healthy respect for Afro-House, and if I delve further into the genre, it’ll be because of artists like Cameroon’s Nkom Bivoué. What is best about the disc is the absolutely sharp percussion of the Continue Reading