The name Circuit des Yeux has come across the laptop several times over the past year, and each review and interview (see this one at The Quietus) raved about her work, so I decided to give it a listen. It was, undoubtedly, a rewarding experience.
Haley Fohr is the singer and the Yeux in question. With a four-octave voice and the most lush production values I’ve heard out of an album that isn’t ethereal or prog rock, I have to say that this left me floored. It is as if Fohr has the husky, dusky voice of a female Scott Walker, and the vocal range of an elegantly restrained Diamanda Galás backed by a very heavy indie band. I need to do a full dive into her back catalog, as this is very, very good.
