There are few experimental artists I hold a loving reverance for in the way I do for Anna Homler.  I had the pleasure of meeting and befriending her during the 1990s, and I had the distinct joy of seeing her again when Maja Ratkje performed in Los Angeles several years ago.  Breadwoman is one of her performance art creations, “a being who exists outside of time, yet surfaced on tape during the perfect storm of performance art, renegade DIY avant-garde, gallery culture, and esoteric mysticism of early 80s Los Angeles.” This was the first collaboration on cassette between Anna and Steve Moshier and it stands the test of time.