Jeff Gburek returns to these pages presenting an album featuring himself improvising on his mandolin. The album is sparse and very well recorded. The clarity really helps one to focus on the sounds emanating from his weapon of choice. Think of a mix between experimental music, jazz, a horror soundtrack, and your friend musing.
Many honorable composers of note were fascinated by radio static, and as someone who owned a shortwave radio in my youth, I happily admit to having the same fascination with such crunchy sound. Our friend Jeff Gburek uses radio sounds for his latest release. From his Bandcamp site: “This album combines a recent sequence of Shortwave radio capture performances from late April (tracks 1 – 11) and two VLF recordings from the X class solar flare and geomagnetic storm day May 11. Inspired to put this album out quickly after hearing what seemed to be a call for newly recorded…
Something rather different from friend of the blog Jeff Gburek, whose work you know quite well if you have been following our page for a while. From the Soundcloud site: “The Rifles & Garbage Podcast is named thusly to create a strong an mental association between militarism, waste and pollution. I am not opposed to subsistence hunting but maybe use a trap rather than firearms or maybe even try subsistence farming instead of the venison survivalist hype. This podcast has three movements. One introductory, paying homage to sources. The second featuring a recital of poems by Yahia Lababidi, Ghassan Kavafani,…
This is some of the best late-night listening I’ve heard in a long time. Neither Jeff Gburek nor Karolina Ossowska ever fail to please my ears, whether it be with a deep intellectual piece or compositions which teeter on the edge of being mournful, but this one deserves a special place in the collection. From Jeff’s Bandcamp site: “Inspired in part by a recent renaissance in listening to dhrupad and other music of the Indian subcontinent and early European music, I transformed my standard GDR zither into a swarmandal, developing a full moon raga scale. When I invited Karolina to…
Today is a travel day, so I leave you in the ever-capable hands of Jeff Gburek and one of his latest creations.
No wishes, no hopes for the year, just a pleasant way to gently slide into 2024. We launch with Jeff Gburek’s latest release, of which he provides notes on his Bandcamp site: “Still Life with a Question Mark came together as an album rather quickly after I discovered loops unused from an older project fit very well with the latest work I’d done in seclusion at Dom Sztuk, Kęszyca. Captures of VLF radio (ionospheric geomagnetic crackling impulses), hydrophone recordings from Solacz pond, frame drums, zither played with ebow, looped guitar and string passages, synthesizer, shortwave radio, textures of leaves, wood,…
Jeff Gburek’s latest album is not a departure from his carefully crafter work, but a continuation of his honing sounds together, weaving them in a way that the early musique-concrète composers could not have imagined. Drones, pulses and the sounds of Burgas, Bulgaria, are blended to produce an immersive soundscape. Yet another fine work.
Had I not known the previous (impressive) works of both Jeff Gburek and A.J. Kaufmann, I would have happily believed that this was a lost psychedelic music gem long forgotten about in a basement studio recorded during Soviet times. While the tones are dulcet, you never really get a chance to get into a groove. The music shapes and shifts, making you ever aware of its presence and demanding that you pay attention (particularly hard to do as I’m grading papers at the moment). The introduction to the album at Ramble Records’ Bandcamp site is one of the most elegant…
Today is an auspicious occasion as this post will mark 1,000 consecutive days of posting music for my readers and friends. It’s most appropriate that number 1,000 would be someone who has appeared quite a few times on the blog, but Jeff Gburek offers an album that is as (primitive) bluesy as I’ve heard in some time. The playing is mournful in parts, but it wraps your ears up and demands your attention. Most importantly, I think this is the first time I’ve heard Jeff sing. His voice sits perfectly in the point where blues, psych and acid folk all…
‘Beautifully lo-fi’ is perhaps the best way I can describe Jeff Gburek’s latest release on Muteant Records, a company you will be hearing plenty about on this blog.. The tracks have the rawness of the early Dunedin sound (think Roy Montgomery, Alastair Galbraith and labels like XPressway and Flying Nun Records. It’s still grounded in Jeff’s trademark guitar work, but with some elements that feel like they would be home on an ethnographic record of some culture in a hidden-away island in the Indonesian archipelago. Don’t ask why, just listen, especially to Undead 8. You can see more of Jeff’s…