This is the latest from Prussian/Russian neofolk band Romowe Rikoito. The music is heavy, based on the neofolk paradigm, of course, but what sets this apart is the reconstructed Old Prussian lyrics, something the band is passionate about transmitting.
-
-
A sublime, baroque look at the requiem on Fancy Music. From the label’s Bandcamp site: “Requiem (from Latin requies – “rest”) is a high genre of concert sacred music, a kind of mourning oratorio. Even the above phrase is little understood by the general public, not to mention the names and meaning of the Latin psalms of the canonical Requiem. As for people who are knowledgeable, for example by virtue of belonging to the Catholic Church of the Latin rite, even for them, I am sure, these texts are devoid of the burning apocalyptic meaning with which they were filled…
-
The brilliant folks at Antonovka Records continue to amaze and delight with their travelogues across Russia, Moldova and the Balkans. This particular recording covers an area I have ready plenty about, but have not yet passed through. From the label’s Bandcamp site for this release: “The album features Russian folk songs in stage arrangements, as well as a couple of Chuvash ones (tracks 5-7). These are performed by musicians from the Davlekanovsky district of Bashkortostan, a republic in the southern Urals within Russian Federation. Some of the songs (for example, 3) are traditional of local origin, some are Cossack ones…
-
Once a legend in old Soviet free jazz and improv circles, it’s wonderful to hear that Slava Ganelin is still making solid music with a new trio based in Israel.
-
Sergey Kuryokhin was as fine a composer as he was an improvisor. The Divertissement Orchestra, led by violinist Ilya Ioff, reinterprets one of Kuryokhin’s finest compositions from his album The Sparrow Oratorium. Well-played, indeed. Alisa Ten: vocals [1, 2, 4] Vera Chekanova: vocals [2, 3, 4] Lidia Kovalenko: violin [1], viola [2, 3] Mikhail Blekher: honky-tonk [1], celeste [2], piano [3, 4], harpsichord [4] Vladimir Volkov: double bass [4] Ivan Chernobaev: percussion Ilya Ioff: violin [1, 3, 4], drums programming [3]
-
Russian experimental band Disen Gage have collaborated with some of the country’s most notorious experimental musicians. Alexei Borisov, for instance, has been featured on these pages before. MOX and Voronovsky are new names. The music is an impressive mix of early-era Tuxedomoon-influenced music supported by a avant-prog bass, drums and guitar. Experimental enough to be weird, but structured enough to be familiar to the ears.
-
Ilian Ladov is a musician from St. Petersburg, Russia, who works in the medium of neofolk. The work is all instrumental, and has a very relaxed vibe to it. It’s a bit melancholy in parts, but not dour or droll at all.
-
Antonovka Records, once based in Russia but now ensconced in Moldova, continues to release some of the most seminal music to ever come out of the former Soviet Union and Yugoslavia, and their reach seems to keep expanding. This album covers the work of traditional singer Cristina Godoroja, an ethnomusicologist and singer based in Moldova’s capital, Chișinău. The works hail from Bessarabia and also feature Romanian-language songs. A worthy addition to any world music collection.
-
I have never heard of Oleg Karpachev, a Israeli soundtrack composer, but thanks to the fine folks at the legendary Cold Spring Records, I can spend this day blown away by this soundtrack which melds together Hans Zimmer and In Slaughter Natives in some fashion. From the label’s Bandcamp site: “Released for the first time on any format, we proudly present the soundtrack to the 2020 sci-fi horror film ‘Sputnik’ (directed by Egor Abramenko). The bleak and hauntingly atmospheric film is accompanied by an impressively heavy soundtrack from Oleg Karpachev, who uses bombastic percussion, stirring strings, and otherworldly synths to…
-
There is such a gentle lilt to the voice of Nata Boundriver of Ясный-Svetly that I can imagine this being what Kate Bush or Hope Sandoval sounding like if either had fronted post-rock era Mark Hollis or some band specializing in ethereal, ghostly music. A sublime listen.