From Linnea Hjertén’s Bandcamp site: “Born from the synthesis of Swedish folk melodies and ritual ambient, Linnea Hjertén’s debut album “Nio systrar” (‘Nine sisters’) is a wordless invocation of primordial energy – a psychoacoustic gateway to altered states of consciousness. Each of the nine tracks brings us deeper into the cycle of spiritual death and rebirth, stripping away the old to make way for the new. With a musical maturity far beyond her years, Hjertén channels the ethereal beauty of Dead Can Dance, the spellbinding chants of Kari Rueslåtten, and the minimalist Nordic atmosphere of Forndom. […] With an expansive…
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There is such a gentle lilt to the voice of Nata Boundriver of Ясный-Svetly that I can imagine this being what Kate Bush or Hope Sandoval sounding like if either had fronted post-rock era Mark Hollis or some band specializing in ethereal, ghostly music. A sublime listen.
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Dead Can Dance singer Brendan Perry released this masterpiece of an album for 4AD Records in 1999. 23 years later, the label is offering the album as a download, CD and LP with bonus tracks from a performance recorded during 4AD’s infamous 13 Year Itch residency at the storied London venue in 1993
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Our friends at Lost Tribe Sound have released yet another gem in their catalog. This release is from the Danish group Skyphone, and their Bandcamp release page explains further: “The new Skyphone record original began as a project to explore long form close-miced acoustic sessions. The trio worked to record and capture the intimacy of various acoustic instruments. The recordings were very meticulous and long, and were largely meditations over harmonies and fugue-like movements of guitars, bass, synths, piano as well as mandolin, bells, wind instruments and acoustic drums. The trio spent a lot of time building the right sound,…
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Lost Tribe Sound has another release featured this week! This one pairs two leading composers, Dag Rosenqvist & Aaron Martin, working together creating a filmic masterpiece. The music is tense, influenced by everything from classical music to ethereal. From the press release: “American and Swedish composers Aaron Martin and Dag Rosenqvist came together in 2011 under the name FROM THE MOUTH OF THE SUN. Their first album Woven Tide was released by Experimedia in 2012 and they returned in 2015 for their second album Into the Well. In 2016, three pieces from Woven Tide played an integral role in David…
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A post-punk/ethereal gem has been bestowed upon us by our friends at Lost Tribe Sounds. Arrowounds tie together influences from bands like, “Can, Bark Psychosis, Young Gods, Slowdive, Durutti Column, Seefeel and much of early 4AD,” according to the band bio, but there is an element that makes this band something apart. Noise-rock, post-rock, and a more eerie feeling than their influences betray sets the band apart.
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Friends of the blog Āustras Laīwan have released one of the most sublimely engaging albums I have heard recently. The tone is melancholy throughout, almost achingly so. There are parts where one feels like they’re opening up a ballerina box in an old Russian film. In terms of sound, it’s crisp and warm, and this will appeal to those who like neofolk, neo-classical, contemporary and soundtrack music.
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trajedesaliva, our friends from Galicia, Spain, have released a new album in partnership with Maud the Moth, a new artist I presume is also from the area. This has to be their tightest work, combining the most stellar elements of early, more harshly ‘industrial’ Current 93 with a more ethereal streak where fans of Dead Can Dance can feel comfortable. Spoken word, wordless vocals and bewitching soundscapes make for a stunning album.
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We at MYNTH wish you and yours a very Merry Gregorian Christmas, and please stay safe with your loved ones. For the eve of the birth of the Lord, we offer a charming secular song done ably by post-punk legends the Cocteau Twins.
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What a strikingly good album this is. Autumn Tears is a collective of musicians from Billerica, Massachusetts who make an ethereal sound that blends the best of bands who would have fit well on 4AD Records during their 1980s heyday and progressive rock, especially for those who are fans of the Russian symphonic group iamthemorning. Zeresh are beloved friends whose work has been reviewed on this blog in the past, and Tamar Singer’s vocals sound utterly sublime here. This crosses neofolk with a restrained but foreboding metal vibe. Dark, but magically so. Of special note, the mastering on this album…